Harmonism as an Alternative (eBook)
XVIII, 148 Seiten
Springer Singapore (Verlag)
978-981-13-3564-8 (ISBN)
This Key Concepts pivot considers the fundamental Chinese cultural ideal of harmony (hé/?). Historically originating from Confucianism, the concept of harmony sits at the heart of Chinese traditional culture, which is characteristically morality-based and harmony-conscious due to the central role of pragmatic reason and wisdom nurtured through Confucianism, Daoism, Mohism, Legalism and other schools of thought. This pivot delineates the rationale of the Chinese philosophy of harmony and its implications for modern social practices worldwide. It notably reexamines the relevance of hé beyond the realm of philosophy, and how this concept can impact on modern day human relations, amongst individuals and families as well as on a wider societal scale. It explores how hé can affect perspectives on political interaction, international relations and human conflict, as well as the interaction between man and nature. Addressing the inevitable tension between theory and practice, this book argues for the very real relevance of hé in 21st century cultural, social, political and economic spheres in China and beyond.
Keping Wang is a Fellow of Chinese Academy of Social Sciences (CASS) where he was head of Aesthetics Section of CASS Institute of Philosophy from 2005 to 2016, philosophy professor of CASS Graduate School, and Professor of Beijing International Studies University where he worked as Director of Institute for Trans-cultural Studies over a decade. Professor Wang is a former visiting fellow of St. Anne's College of Oxford University (2000), visiting Professor of the School of Philosophical and Historical Inquiry, Sydney University (2010) and Sciences Politiques de Bordeaux (2017). His major writings in Chinese include the Moral Poetics in Plato's Laws (2015), Plato's Poetics in the Republic (2005, 2014) and Aesthetics in Tourism (2015), with publications in English including the Rediscovery of Sino-Hellenic Ideas (2016) and Reading the Dao: A Thematic Inquiry (2011).
This Key Concepts pivot considers the fundamental Chinese cultural ideal of harmony (he/?). Historically originating from Confucianism, the concept of harmony sits at the heart of Chinese traditional culture, which is characteristically morality-based and harmony-conscious due to the central role of pragmatic reason and wisdom nurtured through Confucianism, Daoism, Mohism, Legalism and other schools of thought. This pivot delineates the rationale of the Chinese philosophy of harmony and its implications for modern social practices worldwide. It notably reexamines the relevance of he beyond the realm of philosophy, and how this concept can impact on modern day human relations, amongst individuals and families as well as on a wider societal scale. It explores how he can affect perspectives on political interaction, international relations and human conflict, as well as the interaction between man and nature. Addressing the inevitable tension between theory and practice, this bookargues for the very real relevance of he in 21st century cultural, social, political and economic spheres in China and beyond.
Keping Wang is a Fellow of Chinese Academy of Social Sciences (CASS) where he was head of Aesthetics Section of CASS Institute of Philosophy from 2005 to 2016, philosophy professor of CASS Graduate School, and Professor of Beijing International Studies University where he worked as Director of Institute for Trans-cultural Studies over a decade. Professor Wang is a former visiting fellow of St. Anne’s College of Oxford University (2000), visiting Professor of the School of Philosophical and Historical Inquiry, Sydney University (2010) and Sciences Politiques de Bordeaux (2017). His major writings in Chinese include the Moral Poetics in Plato’s Laws (2015), Plato’s Poetics in the Republic (2005, 2014) and Aesthetics in Tourism (2015), with publications in English including the Rediscovery of Sino-Hellenic Ideas (2016) and Reading the Dao: A Thematic Inquiry (2011).
The Musical Mode.- The Cosmic Mode.- The Generative Mode.- The Synthetic Mode.- The Reciprocal Mode.- The Paradigmatic Mode.- The Dialectic Mode.- The Receptive Mode.- The Sentimental Mode.- Harmonism versus Conflictism.- Harmonism and Ecumenism.- Harmonism and Neo-Communitarianism.- Harmony and Justice.- The Harmonious Society in Question.
| Erscheint lt. Verlag | 11.1.2019 |
|---|---|
| Reihe/Serie | Key Concepts in Chinese Thought and Culture | Key Concepts in Chinese Thought and Culture |
| Zusatzinfo | XVIII, 148 p. 4 illus., 2 illus. in color. |
| Verlagsort | Singapore |
| Sprache | englisch |
| Themenwelt | Geisteswissenschaften ► Philosophie ► Allgemeines / Lexika |
| Geisteswissenschaften ► Philosophie ► Geschichte der Philosophie | |
| Geisteswissenschaften ► Philosophie ► Östliche Philosophie | |
| Geisteswissenschaften ► Philosophie ► Philosophie Altertum / Antike | |
| Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit | |
| Sozialwissenschaften ► Politik / Verwaltung | |
| Schlagworte | Chinese Philosophy of Harmony • Chinese traditional culture • Cosmic Order • Fundamental Chinese Cultural Ideals • Generative Power • Harmonism and Chinese Culture • Implication of Chinese Philosophy for Western World • Personal Cultivation • Reciprocal Ecumenism • Vicarious Feeling |
| ISBN-10 | 981-13-3564-8 / 9811335648 |
| ISBN-13 | 978-981-13-3564-8 / 9789811335648 |
| Haben Sie eine Frage zum Produkt? |
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