Image-Makers
The Social Context of a Hunter-Gatherer Ritual
Seiten
2019
Cambridge University Press (Verlag)
978-1-108-49821-0 (ISBN)
Cambridge University Press (Verlag)
978-1-108-49821-0 (ISBN)
Providing insight into an image-making process that became extinct at the end of the nineteenth-century, this book shows that, far from being trivial, hunter-gatherer rock art was embedded in religion. It explores the complex social relations of those who made rock art and why they made it.
Rock art images around the world are often difficult for us to decipher as modern viewers. Based on authentic records of the beliefs, rituals and daily life of the nineteenth-century San peoples, and of those who still inhabit the Kalahari Desert, this book adopts a new approach to hunter-gatherer rock art by placing the process of image-making within the social framework of production. Lewis-Williams shows how the San used this imagery not simply to record hunts and the animals that they saw, but rather to sustain the social network and status of those who made them. By drawing on such rich and complex records, the book reveals specific, repeated features of hunter-gatherer imagery and allows us insight into social relations as if through the eyes of the San themselves.
Rock art images around the world are often difficult for us to decipher as modern viewers. Based on authentic records of the beliefs, rituals and daily life of the nineteenth-century San peoples, and of those who still inhabit the Kalahari Desert, this book adopts a new approach to hunter-gatherer rock art by placing the process of image-making within the social framework of production. Lewis-Williams shows how the San used this imagery not simply to record hunts and the animals that they saw, but rather to sustain the social network and status of those who made them. By drawing on such rich and complex records, the book reveals specific, repeated features of hunter-gatherer imagery and allows us insight into social relations as if through the eyes of the San themselves.
David Lewis-Williams is Professor Emeritus in the University of the Witwatersrand, Johannesburg, where he founded the Rock Art Research Institute in 1980. His books include The Mind in the Cave: Consciousness and the Origins Art (2002), translated into numerous languages.
1. A go-between; 2. An invisible narrative; 3. The narrative problem; 4. Patterns of participation; 5. Integrated idiosyncrasy; 6. Threads of light; 7. A State of !aia; 8. Images, image-makers and society; 9. San imagery today; Epilogue.
| Erscheinungsdatum | 23.05.2019 |
|---|---|
| Zusatzinfo | Worked examples or Exercises |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 490 g |
| Themenwelt | Sozialwissenschaften ► Ethnologie ► Volkskunde |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 1-108-49821-3 / 1108498213 |
| ISBN-13 | 978-1-108-49821-0 / 9781108498210 |
| Zustand | Neuware |
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