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Destructive Desires - Robert J. Patterson

Destructive Desires

Rhythm and Blues Culture and the Politics of Racial Equality
Buch | Hardcover
264 Seiten
2019
Rutgers University Press (Verlag)
978-1-9788-0359-6 (ISBN)
CHF 146,00 inkl. MwSt
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Analyses how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. Robert Patterson provides a thorough analysis of four artists to examine black cultural longings.
Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.

ROBERT J. PATTERSON is a professor of African American Studies and served as the inaugural chair of the Department of African American Studies at Georgetown University in Washington, D.C. He is the editor of Black Cultural Production After Civil Rights, a coeditor of The Psychic Hold of Slavery: Legacies in American Expressive Culture (Rutgers University Press),  and author of Exodus Politics: Civil Rights and Leadership in African American Literature and Culture.

Preface                                                                      

Introduction

1. Reading Race, Gender, and Sex: Black Intimate Relations, Black Inequality,  

and the Rhythm and the Blues Imagination

2. “Whip Appeal:” Reading Kenneth “Babyface” Edmonds 

3. “Freak Like Me:” Reading Adina Howard                                                   

4.“Didn’t We Almost Have It All:” Reading Whitney Houston                              

Epilogue                     

Appendix A                           

Appendix B                                                                              

Appendix C

Acknowledgements

Bibliography  

Erscheinungsdatum
Zusatzinfo 25
Verlagsort New Brunswick NJ
Sprache englisch
Maße 152 x 229 mm
Gewicht 513 g
Themenwelt Kunst / Musik / Theater Musik Jazz / Blues
Kunst / Musik / Theater Musik Musiktheorie / Musiklehre
Sozialwissenschaften Ethnologie
Sozialwissenschaften Soziologie
ISBN-10 1-9788-0359-1 / 1978803591
ISBN-13 978-1-9788-0359-6 / 9781978803596
Zustand Neuware
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