Creolized Aurality
Guadeloupean Gwoka and Postcolonial Politics
Seiten
2019
University of Chicago Press (Verlag)
978-0-226-63163-9 (ISBN)
University of Chicago Press (Verlag)
978-0-226-63163-9 (ISBN)
In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music--a secular, drum-based tradition--captures the entangled histories of French colonization, movements against it, and the uneasy process of the island's decolonization as an overseas territory of France. In Creolized Aurality, J r me Camal demonstrates that musical sounds and practices express the multiple--and often seemingly contradictory--cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are "creolized auralities"--expressions of a culture both of and against French coloniality and postcoloniality.
J r me Camal is assistant professor of anthropology at the University of Wisconsin-Madison.
Erscheinungsdatum | 24.07.2019 |
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Reihe/Serie | Chicago Studies in Ethnomusicology |
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Sachbuch/Ratgeber ► Geschichte / Politik ► Allgemeines / Lexika | |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 0-226-63163-X / 022663163X |
ISBN-13 | 978-0-226-63163-9 / 9780226631639 |
Zustand | Neuware |
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