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The Politics of Nordsploitation - Pietari Kääpä, Tommy Gustafsson

The Politics of Nordsploitation

History, Industry, Audiences
Buch | Hardcover
288 Seiten
2021
Bloomsbury Academic USA (Verlag)
978-1-5013-2733-9 (ISBN)
CHF 165,85 inkl. MwSt
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The Politics of Nordsploitation takes a transnational approach to exploring Nordic ‘exploitation’ films in their industrial contexts, viewing them as not only political manifestations of domestic considerations but also to position Nordic film cultures in a global context. Incorporating a wide range of films, from international cult classics like They Call Her One Eye (1974), homegrown martial arts films like The Ninja Mission (1984) to contemporary crowd-sourced fan productions like Iron Sky (2012), this volume examines the remarkable diversity of genre-based, commercially and culturally exploitative film production throughout the Nordic countries – emphasized here through the term ‘Nordsploitation’.

This volume provides a historical exposition of largely ignored marginal films and film cultural patterns. It also outlines how influential these films have been in shaping the development of Nordic cinema. The effects are visible in the films of the new millennium as previously marginalized practices now enter the mainstream. With sharp insights and new research, The Politics of Nordsploitation redefines the concept of ‘exploitation’ and its role in small nation cinemas.

Pietari Kääpä is Associate Professor in Media and Communications at University of Warwick, UK. His work combines ecocritical analysis with media industry and policy studies. His books include Ecology and Contemporary Nordic Cinema (Bloomsbury 2014) and the anthology Transnational Ecocinema: Film Culture in an Age of Environmental Depravation (2013), co-edited with Tommy Gustafsson. He is an editor of Journal of Scandinavian Cinema. Tommy Gustafsson is Professor of Film Studies at Linnaeus University, Sweden. His work is mainly concentrated on film history, both international and Nordic. He has been published in Cinema Journal and Journal of Scandinavian Cinema, and his books include Masculinity in the Golden Age of Swedish Cinema: A Cultural Analysis of 1920s Films (2014), and the anthology Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace (2015) co-edited with Pietari Kääpä.

Acknowledgements

1. The Politics of Nordsploitation
Periodization: Exploitation and Nordic Exploitation
Defining Nordsploitation
Theories of Exploitation
The complexity of Nordsploitation
The structure of the book
References

2. A Pre-1970s History of Nordic Exploitation
Exploitation as art/art as exploitation
Documentary images with exploitative elements
The Absence of Exploitation
Conclusion
References

3. Exploitative Violence and Pornography in the 1970s
Conclusion
References

4. Moral Panic, VHS Censorship, and Counterforces Fan Cultures 1980-1999
The Video Violence Moral Panic in Sweden
Moral Panic within the Hour
A Twenty-Year Long Aftermath
VHS censorship in the bigger picture: extremes and counterforces
Conclusion
References

5. The local and the transnational in Nordic exploitation cinema of the 1980s
The Viking Trilogy: Exploiting cultural history through genre film
Nordic emulations of blockbusters
The Visitors
Visa Mäkinen and exploitation cinema from the margins
Exploitation cinema goes mainstream
Global Exploitation: Artic Heat (aka Born American)
Conclusions
References

6. The Entertainment Violence Factory: Mats Helge Olsson’s Action Films of the 1980s
The Beginnings: Working within the Swedish Film Industry as an Outsider
The Entertainment Violence Factory: The Ninja Mission and the Marketplace for Nordic Exploitation
At Work: Production and Exploitative Themes
Genre aspirations
Olsson’s stars
Conclusion
References

7. The Rise of Transnational Exploitation in the 1990s-2000s
Nordic exploitation in the 1990s: film genres in transition
Going Excessive: Nazi Zombies from Norwegian mountains
The 1990s to 2010s: film cultures in transition
Artistic exploitation
Conclusions
References

8. Fanchising and Crowdfunding: Nordic Nazisploitation in the digital media environment of the 2000s
The Nazi on film
Nordic Nazisploitation: Dead Snow
Comic Nazis: Iron Sky
Carving space for neo-Nazisploitation
Social media and Dead Snow
Balancing ideologies
Ideology strikes back
Conclusion: the Fanchise
References

9. Kung Fu cops and killer bunnies: proximity and distance strategies in Nordic exploitation film, 2000-2019
Contemporary patterns
Policy incentives: the Nordic genre support programmes
Going lo-fi
Flirting with the mainstream
Killer bunnies on the loose
Conclusion
References

10. Conclusion: beyond the art house
References

Index

Erscheinungsdatum
Reihe/Serie Global Exploitation Cinemas
Zusatzinfo 31 bw illus
Verlagsort New York
Sprache englisch
Maße 152 x 229 mm
Gewicht 558 g
Themenwelt Kunst / Musik / Theater Film / TV
Geisteswissenschaften Geschichte
Sozialwissenschaften Kommunikation / Medien Journalistik
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
Wirtschaft
ISBN-10 1-5013-2733-X / 150132733X
ISBN-13 978-1-5013-2733-9 / 9781501327339
Zustand Neuware
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