Futurist Cinema
Amsterdam University Press (Verlag)
978-90-8964-752-8 (ISBN)
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Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection Futurist Cinema, Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.
Rossella Catanese is a postdoctoral researcher at the University of Udine and at NYU Florence.
- Preface: Rossella Catanese, The Polyexpressive Symphony of Futurist Cinema [Section 1: Joyful Deformation Of The Universe] - Introduction: Giovanni Lista, The Poetics of Futurist Cinema - Paolo Bertetto, Speed and Dynamism. Futurism and the Soviet Cinematographic Avant-garde - Valentina Valente, Futurism and Film Theories. Manifesto of Futurist Cinema and Theories in Italy in the 1910-20s - Sabine Schrader, Film Aesthetics Without Film - Wanda Strauven, Hand Journeys: From Marinetti’s Tattilismo to Past and Present Touch Screens - Elisa Uffreduzzi, Dance and Futurism in Italian Silent Cinema - Antonio Saccoccio, Futurism and the Cinema in the ’10s: a Reinterpretation Starting From McLuhan - Giancarlo Carpi, The human in the fetish of the human: cuteness in Futurism cinema, literature and visual arts [Section 2: Daily Filmed Exercises Designed To Free Us From Logic] - Denis Lotti, Futurist Yambo on the Moon. From La colonia lunare to Un matrimonio interplanetario - Rossella Catanese, An Avant-Garde Heritage. ‘Vita futurista’ - Lucia Re, Thaïs: A Different Challenge to the Stars - Carolina Fernández Castrillo, Velocità (1917): From Futurist Simultaneity to Live Streaming Media - Rossella Catanese, ‘Velocità/Vitesse’: Filmed Dramas Of Objects And ‘Avant-garde Integrale’ - Francesca Veneziano, From Science to Marvelous: the Works on Mobility, Between Chronophotography and Contemporary Cinema [Section 3: Shopwindows Of Filmed Ideas, Events, Types, Objects] - Fernando Maramai, Chronology - Marcello Seregni, Filmography - Index - Authors’ biographies
| Erscheinungsdatum | 17.03.2018 |
|---|---|
| Reihe/Serie | Film Culture in Transition |
| Co-Autor | Giovanni Lista, Paolo Bertetto, Valentina Valente, Sabine Schrader |
| Zusatzinfo | 16 Illustrations, color; 12 Illustrations, black and white |
| Verlagsort | Amsterdam |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 90-8964-752-X / 908964752X |
| ISBN-13 | 978-90-8964-752-8 / 9789089647528 |
| Zustand | Neuware |
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