Critical Approaches to TV and Film Set Design
Seiten
2018
Routledge (Verlag)
978-1-138-63656-9 (ISBN)
Routledge (Verlag)
978-1-138-63656-9 (ISBN)
Geraint D‘Arcy brings all of the relevant theories and histories of set design together to produce a companion and guide to the critical study of scenic design. By using semiotics, history and narratology and adding concepts drawn from art, architecture and theatre, the work redraws the history of scenic design in film and television.
The analysis of scenic design in film and television is often neglected, with visual design elements relegated to part of the mise-en-scène in cinema or simply as "wallpaper" in television. Critical Approaches to TV and Film Set Design positions itself from the audience perspective to explore how we watch TV and film, and how set design enhances and influences the viewing experience.
By using semiotics, history and narratology and adding concepts drawn from art, architecture and theatre, Geraint D’Arcy reworks the key concepts of set design. Looking at the impact of production design on how the viewer reads film and television, these updated theories can be applied more flexibly and extensively in academic criticism. D’Arcy creates a new theoretical approach, representing a significant expansion of the field and filling the remaining gaps.
This book is ideal for anyone interested in understanding how we can read and interpret design in film and television, and should be the primary point of reference for those studying TV and film set design.
The analysis of scenic design in film and television is often neglected, with visual design elements relegated to part of the mise-en-scène in cinema or simply as "wallpaper" in television. Critical Approaches to TV and Film Set Design positions itself from the audience perspective to explore how we watch TV and film, and how set design enhances and influences the viewing experience.
By using semiotics, history and narratology and adding concepts drawn from art, architecture and theatre, Geraint D’Arcy reworks the key concepts of set design. Looking at the impact of production design on how the viewer reads film and television, these updated theories can be applied more flexibly and extensively in academic criticism. D’Arcy creates a new theoretical approach, representing a significant expansion of the field and filling the remaining gaps.
This book is ideal for anyone interested in understanding how we can read and interpret design in film and television, and should be the primary point of reference for those studying TV and film set design.
Geraint D'Arcy is a lecturer in Theatre and Drama at the University of South Wales where he also teaches the theory for TV and Film Set Design BA. He researches theories of design, technology and scenography in film, television and theatre and is published in several areas relating to these fields.
Acknowledgements
00_Introduction: Histories and Contexts
01_ Critical Underpinnings
02_Film, Realism and the Nineteenth-Century Crisis in Representation.
03_Television, History, Realism.
04_Architecture and Film.
05_Narrative and Film Design.
06_Reading Television Design Through Genre and Narrative.
07_Dramatic Function in Spatial Design.
08_Conclusion.
INDEX
| Erscheinungsdatum | 16.10.2018 |
|---|---|
| Zusatzinfo | 4 Line drawings, black and white; 88 Halftones, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 453 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-138-63656-8 / 1138636568 |
| ISBN-13 | 978-1-138-63656-9 / 9781138636569 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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