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Paik's Virtual Archive - Hanna B. Holling

Paik's Virtual Archive

Time, Change, and Materiality in Media Art
Buch | Hardcover
264 Seiten
2017
University of California Press (Verlag)
978-0-520-28890-4 (ISBN)
CHF 89,90 inkl. MwSt
Using examples of works by Nam June Paik (1932-2006), the hugely influential Korean American artist who is considered the progenitor of video art, he author explores the relation between the artworks' concept and material, theories of musical performance and performativity, and the Bergsonian concept of duration.
In Paik's Virtual Archive, Hanna B. Holling contemplates the identity of multimedia artworks by reconsidering the role of conservation in our understanding of what the artwork is and how it functions within and beyond a specific historical moment. In Holling's discussion of works by Nam June Paik (1932-2006), the hugely influential Korean American artist who is considered the progenitor of video art, she explores the relation between the artworks' concept and material, theories of musical performance and performativity, and the Bergsonian concept of duration, as well as the parts these elements play in the conceptualization of multimedia artworks. Holling combines her astute assessment of artistic technologies with ideas from art theory, philosophy, and aesthetics to probe questions related to materials and materiality, not just in Paik's work but in contemporary art in general. Ultimately, she proposes that the archive-the physical and virtual realm that encompasses all that is known about an artwork-is the foundation for the identity and continuity of every work of art.

Hanna B. Holling is Lecturer in the History of Art and Material Studies at the Department of History of Art, University College London. She was Andrew W. Mellon Visiting Professor, Cultures of Conservation, at the Bard Graduate Center in New York and Visiting Scholar at the Max Planck Institute for the History of Science. She teaches material culture, cultures of conservation, and postwar art history. Among her many publications is Revisions-Zen for Film.

List of Illustrations Acknowledgments Introduction: Revisiting the Object PART I. CONCEPT AND MATERIALITY 1. Two Works 2. Conceptual and Material Aspects of Media Art 3. Musical Roots of Performed and Performative Media PART 2. TIME AND CHANGEABILITY 4. Zen for Film 5. Changeability and Multimedia Art 6. Time and Conservation 7. Heterotemporalities: Film Time, Video Time, and Paik Time PART 3. ARCHIVE AND IDENTITY 8. The Material and the Immaterial Archive 9. Archival Implications Conclusion: The Many Archai of Conservation and Curation Notes Bibliography Index

Erscheinungsdatum
Zusatzinfo 24 color photographs, 24 b-w i
Verlagsort Berkerley
Sprache englisch
Maße 178 x 254 mm
Themenwelt Kunst / Musik / Theater Film / TV
Kunst / Musik / Theater Kunstgeschichte / Kunststile
Sozialwissenschaften Soziologie
ISBN-10 0-520-28890-4 / 0520288904
ISBN-13 978-0-520-28890-4 / 9780520288904
Zustand Neuware
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