The Gamin de Paris in Nineteenth-Century Visual Culture

Delacroix, Hugo, and the French Social Imaginary

Marilyn R. Brown (Autor)

Buch | Hardcover

190 Seiten

2017
Routledge (Verlag)
978-1-138-23113-9 (ISBN)

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The book argues that images of the Paris urchin addressed transformations at the heart of modernity, including the decline of patriarchal, monarchical social structures and the rise of industrial capitalism and colonialism. It parses a contested national archetype that emerged from repeated, recycled representations of revolutions (1830, 1832, 1848, 1871).

The revolutionary boy at the barricades was memorably envisioned in Eugène Delacroix’s painting Liberty Leading the People (1830) and Victor Hugo’s novel Les Misérables (1862). Over the course of the nineteenth century, images of the Paris urchin entered the collective social imaginary as cultural and psychic sites of memory, whether in avant-garde or more conventional visual culture. Visual and literary paradigms of the mythical gamin de Paris were born of recurring political revolutions (1830, 1832, 1848, 1871) and of masculine, bourgeois identity constructions that responded to continuing struggles over visions and fantasies of nationhood. With the destabilization of traditional, patriarchal family models, the diminishing of the father’s symbolic role, and the intensification of the brotherly urchin’s psychosexual relationship with the allegorical motherland, what had initially been socially marginal eventually became symbolically central in classed and gendered inventions and repeated re-inventions of "fraternity," "people," and "nation." Within a fundamentally split conception of "the people," the bohemian boy insurrectionary, an embodiment of freedom, was transformed by ongoing discourses of power and reform, of victimization and agency, into a capitalist entrepreneur, schoolboy, colonizer, and budding military defender of the fatherland. A contested figure of the city became a contradictory emblem of the nation.

Marilyn R. Brown is author of Degas and the Business of Art: A Cotton Office in New Orleans (CAA Monograph, 1994) and editor of, and contributor to, Picturing Children: Constructions of Childhood Between Rousseau and Freud (Ashgate, 2002; Routledge 2017). She is professor of art history at the University of Colorado.

Table of Contents

List of Illustrations
Acknowledgments

Introduction

Ch. 1 Revolutionary Ancestors of the Gamin de Paris

Ch. 2 Child of the People and Child of the Fatherland in Nineteenth-Century French Social History

Ch. 3 Child of the People and Child of the Fatherland in the French Social Imaginary

Ch. 4 The Gamin de Paris and the Revolution of 1830

Ch. 5 The Gamin de Paris in Panoramic Literature and in the Revolutions of 1848

Ch. 6 The Gamin de Paris, the Second Empire, and the Commune

Ch. 7 The Gamin de Paris during the Early Third Republic

Epilogue
Bibliography

Erscheinungsdatum	12.07.2017
Reihe/Serie	Routledge Research in Art History
Zusatzinfo	24 Halftones, color; 37 Halftones, black and white; 24 Illustrations, color; 37 Illustrations, black and white
Verlagsort	London
Sprache	englisch
Maße	174 x 246 mm
Gewicht	510 g
Themenwelt	Kunst / Musik / Theater ► Kunstgeschichte / Kunststile
	Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918)
	Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
	Sozialwissenschaften ► Soziologie
ISBN-10	1-138-23113-4 / 1138231134
ISBN-13	978-1-138-23113-9 / 9781138231139
Zustand	Neuware