György Ligeti's Cultural Identities
Routledge (Verlag)
978-1-4724-7364-6 (ISBN)
Amy Bauer is Associate Professor of Music at the University of California, Irvine. She received her PhD in music theory from Yale University, and has published articles in Music Analysis, The Journal of Music Theory, Contemporary Music Review, Indiana Theory Review and Ars Lyrica, and book chapters on the music of Ligeti, Messiaen, Chávez, Lang, the television musical, modernist opera and issues in the philosophy and reception of modernist music. Her monograph Ligeti’s Laments: Nostalgia, Exoticism and the Absolute (2011) provides a critical analysis of the composer’s works, considering both the compositions themselves and the larger cultural implications of their reception. Márton Kerékfy is Research Fellow at the Budapest Bartók Archives, Editor of the Béla Bartók Complete Critical Edition and Editor-in-Chief at Editio Musica Budapest. He studied musicology and composition at the Franz Liszt Academy of Music in Budapest and received his PhD in musicology from the same institution. His doctoral thesis (2014) explores the influence of East European folk music in György Ligeti’s music. He has published articles on the music of Ligeti and Bartók in, among others, Tempo, Studia Musicologica and Mitteilungen der Paul Sacher Stiftung. He translated into Hungarian and edited Ligeti’s selected writings (2010).
Introduction
Amy Bauer and Márton Kerékfy
Part I, Creative Personality and Aesthetics
1 Music in the Technological Era
György Ligeti with Hans Heinz Stuckenschmidt, translated and annotated by Louise Duchesneau
2 ‘…music is a bit like love – you do it but you don’t talk about it’
Louise Duchesneau
3 The Innate Melodist
Richard Steinitz
4 Ligeti’s Musical Style as Expression of Cultural Trauma
Wolfgang Marx
5 Making It Home? The Natural Sciences as a Site of Belonging in György Ligeti’s Music
Frederik Knop
Part II, Influences and Backgrounds
6 Reflections on Ligeti’s Jewish Identity Following the Discovery of New Documents from his Cluj Years
Heidy Zimmermann
7 Ligeti and Romanian Folk Music: An Insight from the Paul Sacher Foundation
Bianca Ţiplea Temeş
8 Ligeti and the Beginnings of Bartók Analysis in Hungary
Anna Dalos
9 Bartók, Ligeti and the Innovative Middle Road
Peter Edwards
10 From Row to Klang: Ligeti’s Reception of Anton Webern’s Music
Ingrid Pustijanac
Part III, Works
11 Genre as Émigré: The Return of the Repressed in Ligeti’s Second Quartet
Amy Bauer
12 Sketches Reflecting the Images of San Francisco
Kyoko Okumura
13 Ironic Self-Portraits? Ligeti’s Hungarian Rock and Passacaglia ungherese
Márton Kerékfy
14 Tragedy and Irony: The Passacaglia of the Violin Concerto
Volker Helbing
Erscheinungsdatum | 21.10.2017 |
---|---|
Zusatzinfo | 1 Tables, black and white; 51 Line drawings, black and white; 27 Halftones, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
Naturwissenschaften ► Geowissenschaften ► Geografie / Kartografie | |
Sozialwissenschaften ► Soziologie ► Spezielle Soziologien | |
ISBN-10 | 1-4724-7364-7 / 1472473647 |
ISBN-13 | 978-1-4724-7364-6 / 9781472473646 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
aus dem Bereich