Yodeling and Meaning in American Music
Seiten
2016
University Press of Mississippi (Verlag)
978-1-4968-0580-5 (ISBN)
University Press of Mississippi (Verlag)
978-1-4968-0580-5 (ISBN)
The first book to focus specifically on the musical content of yodeling in American culture. Timothy E. Wise shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyses this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond.
Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?
To answer such questions, Wise applies the perspectives of critical musicology, semiotics, and cultural studies to the changing semantic associations of yodeling in an unexplored repertoire stretching from Beethoven to Zappa. This volume marks the first musicological and ideological analysis of this prominent but largely ignored feature of American musical life.
Maintaining high scholarly standards but keeping the general reader in mind, the author examines yodeling in relation to ongoing cultural debates about singing, music as art, social class, and gender. Chapters devote attention to yodeling in nineteenth-century classical music, the nineteenth-century Alpine-themed song in America, the Americanization of the yodel, Jimmie Rodgers, and cowboy yodeling, among other topics.
Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?
To answer such questions, Wise applies the perspectives of critical musicology, semiotics, and cultural studies to the changing semantic associations of yodeling in an unexplored repertoire stretching from Beethoven to Zappa. This volume marks the first musicological and ideological analysis of this prominent but largely ignored feature of American musical life.
Maintaining high scholarly standards but keeping the general reader in mind, the author examines yodeling in relation to ongoing cultural debates about singing, music as art, social class, and gender. Chapters devote attention to yodeling in nineteenth-century classical music, the nineteenth-century Alpine-themed song in America, the Americanization of the yodel, Jimmie Rodgers, and cowboy yodeling, among other topics.
Timothy E. Wise, Manchester, United Kingdom, was born and reared in Texas and is a senior lecturer in musicology at the University of Salford, England. A member of the International Association for the Study of Popular Music, he has published work in Radical Musicology, American Music, the Musical Quarterly, Popular Music, and the Journal of American Folklore.
| Erscheinungsdatum | 05.10.2016 |
|---|---|
| Reihe/Serie | American Made Music Series |
| Verlagsort | Jackson |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 540 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 1-4968-0580-1 / 1496805801 |
| ISBN-13 | 978-1-4968-0580-5 / 9781496805805 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
die Geschichte der Schallplatte
Buch | Hardcover (2024)
Prestel (Verlag)
CHF 51,90
Buch | Softcover (2024)
Nomos (Verlag)
CHF 39,95
