Carnival, Canboulay and Calypso
Traditions in the Making
Seiten
1999
Cambridge University Press (Verlag)
978-0-521-65389-3 (ISBN)
Cambridge University Press (Verlag)
978-0-521-65389-3 (ISBN)
Starting from the days of slavery and following through to the first decades of the twentieth century, this book traces the evolution of Carnival and secular black music in Trinidad and beyond.
Starting from the days of slavery and following through to the first decades of the twentieth century, this book traces the evolution of Carnival and secular black music in Trinidad and the links that existed with other territories and beyond. Calypso emerged as the pre-eminent Carnival song from the end of the nineteenth century and its association with the festival is investigated, as are the first commercial recordings by Trinidad performers. These featured stringband instrumentals, 'calipsos' and stickfighting 'kalendas' (a carnival style popular from the last quarter of the nineteenth century). The emphasis of the book is on history, and great use is made of contemporary newspaper reports. colonial documents, travelogues, oral history and folklore, providing an authoritative treatment of a fascinating story in popular cultural history.
Starting from the days of slavery and following through to the first decades of the twentieth century, this book traces the evolution of Carnival and secular black music in Trinidad and the links that existed with other territories and beyond. Calypso emerged as the pre-eminent Carnival song from the end of the nineteenth century and its association with the festival is investigated, as are the first commercial recordings by Trinidad performers. These featured stringband instrumentals, 'calipsos' and stickfighting 'kalendas' (a carnival style popular from the last quarter of the nineteenth century). The emphasis of the book is on history, and great use is made of contemporary newspaper reports. colonial documents, travelogues, oral history and folklore, providing an authoritative treatment of a fascinating story in popular cultural history.
1. Background to West Indian music; 2. 'Pain nous ka mangé': music, carnival and events 1783–1869; 3. 'Not a cent to buy rice': poverty, revelry and riots, 1870–1896; 4. 'Iron Duke in the land': banners, bands and music 1897–1920; 5. Creole musical traditions: Africa, the Caribbean and beyond; Notes; Bibliography; Discography; Index.
| Erscheint lt. Verlag | 4.2.1999 |
|---|---|
| Zusatzinfo | 2 Maps; 21 Halftones, unspecified |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 470 g |
| Themenwelt | Sozialwissenschaften ► Ethnologie ► Volkskunde |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 0-521-65389-4 / 0521653894 |
| ISBN-13 | 978-0-521-65389-3 / 9780521653893 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
von grimmschen Märchen, germanischen Mythen und den Gesängen der …
Buch | Hardcover (2024)
Edition Roter Drache (Verlag)
CHF 22,40
an Ethnography of crowds and unruly sounds
Buch | Softcover (2024)
Oxford University Press Inc (Verlag)
CHF 39,95
