Balkan Fascination

Creating an Alternative Music Culture in America

Mirjana Lausevic (Autor)

Buch | Softcover

312 Seiten

2015
Oxford University Press Inc (Verlag)
978-0-19-026942-5 (ISBN)

Artikel merken

Divi Zheni identifies itself as a Bulgarian women's chorus and band, but it is located in Boston and none of its members come from Bulgaria. Zlatne Uste is one of the most popular purveyors of Balkan music in America, yet the name of the band is grammatically incorrect. The members of Sviraci hail from western Massachusetts, upstate New York, and southern Vermont, but play tamburica music on traditional instruments. Curiously, thousands of Americans not only participate in traditional music and dance from the Balkans, but in fact structure their social practices around it without having any other ties to the region.

In Balkan Fascination, ethnomusicologist Mirjana Lausevic, a native of the Balkans, investigates this remarkable phenomenon to explore why so many Americans actively participate in specific Balkan cultural practices to which they have no familial or ethnic connection. Going beyond traditional interpretations, she challenges the notion that participation in Balkan culture in North America is merely a specialized offshoot of the 1960s American folk music scene. Instead, her exploration of the relationship between the stark sounds and lively dances of the Balkan region and the Americans who love them reveals that Balkan dance and music has much deeper roots in America's ideas about itself, its place in the world, and the place of the world's cultures in the American melting pot. Examining sources that span more than a century and come from both sides of the Atlantic, Lausevic shows that an affinity group's debt to historical movements and ideas, though largely unknown to its members, is vital in understanding how and why people make particular music and dance choices that substantially change their lives.

Mirjana Lausevic (1966-2007) was Professor of Ethnomusicology at the University of Minnesota, Minneapolis. She came to the United States from her native Sarajevo in 1991, where she was a musician, ethnomusicologist, and music commentator on Bosnian radio and television.

Introduction ; Part I: Ethnography of the Balkan Music and Dance Scene ; Chapter 1: The "Balkanites" ; Chapter 2: Why Balkan? ; Part II: Folk Dancing and Turn of the Century America ; Chapter 3: Folk Dancing and the Settlement Movement ; Chapter 4: Folk Dancing and the Physical Education and Recreation Movements ; Part III: International Folk Dancing Between the 1930s and 1950s ; Chapter 5: Dance and Be Merry ; Chapter 6: Emergence of the New Folk Dance Leaders: Vytautas Beliajus, Song Chang, Michael Herman ; Chapter 7: Folk Dance as a National Trend ; Part IV: 1950s and Beyond ; Chapter 8: International Folk Dance and the "Balkan Craze" ; Chapter 9: The Rise of Balkan Scene ; Conclusion ; Appendix: Sample Questionnaire ; Bibliography ; Index ; Key to Selections on Companion Website: Video and Audio

Erscheint lt. Verlag	10.12.2015
Reihe/Serie	American Musicspheres
Zusatzinfo	45 halftones
Verlagsort	New York
Sprache	englisch
Maße	231 x 155 mm
Gewicht	454 g
Themenwelt	Kunst / Musik / Theater ► Musik ► Pop / Rock
	Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport
	Sozialwissenschaften ► Soziologie
ISBN-10	0-19-026942-1 / 0190269421
ISBN-13	978-0-19-026942-5 / 9780190269425
Zustand	Neuware