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American Vertigo (eBook)

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2007 | 1. Auflage
320 Seiten
Random House Publishing Group (Verlag)
978-0-307-43062-5 (ISBN)
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What does it mean to be an American, and what can America be today?To answer these questions, celebrated philosopher and journalist Bernard-Henri Lvy spent a year traveling throughout the country in the footsteps of another great Frenchman, Alexis de Tocqueville, whose Democracy in America remains the most influential book ever written about our country.
The result isAmerican Vertigo, a fascinating, wholly fresh look at a country we sometimes only think we know. From Rikers Island to Chicago mega-churches, from Muslim communities in Detroit to an Amish enclave in Iowa, Lvy investigates issues at the heart of our democracy: the special nature of American patriotism, the coexistence of freedom and religion (including the religion of baseball), the prison system, the 'return of ideology' and the health of our political institutions, and much more. He revisits and updates Tocqueville's most important beliefs, such as the dangers posed by 'the tyranny of the majority,' explores what Europe and America have to learn from each other, and interprets what he sees with a novelist's eye and a philosopher's depth.
Through powerful interview-based portraits across the spectrum of the American people, from prison guards to clergymen, from Norman Mailer to Barack Obama, from Sharon Stone to Richard Holbrooke, Lvy fills his book with a tapestry of American voices--some wise, some shocking. Both the grandeur and the hellish dimensions of American life are unflinchingly explored. And big themes emerge throughout, from the crucial choices America
faces today to the underlying reality that, unlike the 'Old World,' America remains the fulfillment of the world's desire to worship, earn, and live as one wishes--a place, despite all, where inclusion remains not just an ideal but an actual practice.
At a time when Americans are anxious about how the world perceives them and, indeed, keen to make sense of themselves, a brilliant and sympathetic foreign observer has arrived to help us begin a new conversation about the meaning of America.

From the Hardcover edition.
What does it mean to be an American, and what can America be today? To answer these questions, celebrated philosopher and journalist Bernard-Henri Lévy spent a year traveling throughout the country in the footsteps of another great Frenchman, Alexis de Tocqueville, whose Democracy in America remains the most influential book ever written about our country. The result is American Vertigo, a fascinating, wholly fresh look at a country we sometimes only think we know. From Rikers Island to Chicago mega-churches, from Muslim communities in Detroit to an Amish enclave in Iowa, Lévy investigates issues at the heart of our democracy: the special nature of American patriotism, the coexistence of freedom and religion (including the religion of baseball), the prison system, the “return of ideology” and the health of our political institutions, and much more. He revisits and updates Tocqueville’s most important beliefs, such as the dangers posed by “the tyranny of the majority,” explores what Europe and America have to learn from each other, and interprets what he sees with a novelist’s eye and a philosopher’s depth. Through powerful interview-based portraits across the spectrum of the American people, from prison guards to clergymen, from Norman Mailer to Barack Obama, from Sharon Stone to Richard Holbrooke, Lévy fills his book with a tapestry of American voices–some wise, some shocking. Both the grandeur and the hellish dimensions of American life are unflinchingly explored. And big themes emerge throughout, from the crucial choices America faces today to the underlying reality that, unlike the “Old World,” America remains the fulfillment of the world’s desire to worship, earn, and live as one wishes–a place, despite all, where inclusion remains not just an ideal but an actual practice.At a time when Americans are anxious about how the world perceives them and, indeed, keen to make sense of themselves, a brilliant and sympathetic foreign observer has arrived to help us begin a new conversation about the meaning of America.

First Visions (from Newport to Des Moines) A People and Its Flag It was here, not too far south of Boston, on the East Coast, which still bears the mark of Europe so clearly, that Alexis de Tocqueville came ashore: Newport, Rhode Island. This well-kept Easton's Beach. These yachts. These Palladian mansions and painted wooden houses that remind me of the beach towns of Normandy. A naval museum. An athenaeum library. Bed-and-breakfasts with a picture of the owner displayed instead of a sign. Gorgeous trees. Tennis courts. A Georgian-style synagogue, exhibited as the oldest in the United States: with its well-polished pale wood, its fluted columns, its spotless black rattan chairs, its large candelabra, its plaque engraved with clear-cut letters in memory of Isaac Touro and the six or seven great spiritual leaders who succeeded him, its American flag standing next to the Torah scroll under glass, it seems to me, on the contrary, strangely modern. And then, precisely, the flags: a riot of American flags, at crossroads, on building fronts, on car hoods, on pay phones, on the furniture displayed in the windows along Thames Street, on the boats tied to the dock and on the moorings with no boats, on beach umbrellas, on parasols, on bicycle saddlebags--everywhere, in every form, flapping in the wind or on stickers, an epidemic of flags that has spread throughout the city. There are also, as it happens, a lot of Japanese flags. A Japanese cultural festival is opening, with exhibitions of prints, sushi samples on the boardwalk, sumo wrestling in the street, barkers enticing passersby to come see these wonders, these monsters: 'Come on! Look at them--all white and powdered! Three hundred pounds! Legs like hams! So fat they can't even walk! They needed three seats in the airplane! Step right up!' And, therefore, white flags with a red ball, symbol of the Land of the Rising Sun, hang from the balconies on this street of jewelers near the harbor where I'm searching for a restaurant, to have lunch. In the end, though, it's the American flag that dominates. One is struck by the omnipresence of the Star-Spangled Banner, even on the T-shirts of the kids who come to watch the sumo wrestlers as the little crowd cheers them on. It's the flag of the American cavalry in westerns. It's the flag of Frank Capra movies. It's the fetish that is there, in the frame, every time the American president appears. It's the beloved flag, almost a living being, the use of which, I understand, is subject not just to rules but to an extremely precise code of flag behavior: don't get it dirty, don't copy it, don't tattoo it onto your body, never let it fall on the ground, never hang it upside down, don't insult it, don't burn it. On the other hand, if it gets too old, if it can no longer be used, if it can't be flown, then you must burn it, yes, instead of throwing it out or bundling it up, better to burn it than abandon it in the trash. It's the flag that was offended by Kid Rock at the Super Bowl, and it's the flag of Michael W. Smith in his song 'There She Stands,' written just after September 11, in which 'she' is none other than 'it,' the flag, the American symbol that was targeted, defiled, attacked, scorned by the barbarians, but is always proudly unfurled. It's a little strange, this obsession with the flag. It's incomprehensible for someone who, like me, comes from a country virtually without a flag--where the flag has, so to speak, disappeared, where you see it flying only in front of official buildings, and where any nostalgia and concern...

Erscheint lt. Verlag 18.12.2007
Übersetzer Charlotte Mandell
Sprache englisch
Themenwelt Sozialwissenschaften Politik / Verwaltung Politische Systeme
ISBN-10 0-307-43062-6 / 0307430626
ISBN-13 978-0-307-43062-5 / 9780307430625
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