Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Always More Than One - Erin Manning

Always More Than One

Individuation's Dance

(Autor)

Buch | Hardcover
328 Seiten
2013
Duke University Press (Verlag)
978-0-8223-5333-1 (ISBN)
CHF 155,35 inkl. MwSt
  • Titel z.Zt. nicht lieferbar
  • Versandkostenfrei
  • Auch auf Rechnung
  • Artikel merken
The philosopher, visual artist, and dancer Erin Manning explores the concept of the "more than human" in the context of movement, perception, and experience.
In Always More Than One, the philosopher, visual artist, and dancer Erin Manning explores the concept of the "more than human" in the context of movement, perception, and experience. Working from Whitehead's process philosophy and Simondon's theory of individuation, she extends the concepts of movement and relation developed in her earlier work toward the notion of "choreographic thinking." Here, she uses choreographic thinking to explore a mode of perception prior to the settling of experience into established categories. Manning connects this to the concept of "autistic perception," described by autistics as the awareness of a relational field prior to the so-called neurotypical tendency to "chunk" experience into predetermined subjects and objects. Autistics explain that, rather than immediately distinguishing objects—such as chairs and tables and humans—from one another on entering a given environment, they experience the environment as gradually taking form. Manning maintains that this mode of awareness underlies all perception. What we perceive is never first a subject or an object, but an ecology. From this vantage point, she proposes that we consider an ecological politics where movement and relation take precedence over predefined categories, such as the neurotypical and the neurodiverse, or the human and the nonhuman. What would it mean to embrace an ecological politics of collective individuation?

Erin Manning is University Research Chair in Philosophy and Relational Art and Associate Professor in the Faculty of Fine Arts at Concordia University. She is the author of Relationscapes: Movement, Art, Philosophy and Politics of Touch: Sense, Movement, Sovereignty and coauthor, with Brian Massumi, of Thought in the Act: Passages in the Ecology of Experience (forthcoming).

Prelude / Brian Massumi ix

Acknowledgments xxv

1. Toward a Leaky Sense of Self 1

Interlude. When Movement Dances 13

2. Always More Than One 16

Interlude. Dancing the Virtual 30

3. Waltzing the Limit 41

4. Propositions for the Verge 74

Interlude. What Else? 91

5. Choreography as Mobile Architecture 99

Interlude. Fiery, Luminous, Scary 124

6. The Dance of Attention 133

7. An Ethics of Language in the Making 149

Interlude. Love the Anonymous Elements 172

8. The Shape of Enthusiasm 184

Coda. Another Regard 204

Notes 223

Bibliography 257

Index 267

Zusatzinfo 33 illustrations
Verlagsort North Carolina
Sprache englisch
Maße 156 x 235 mm
Gewicht 581 g
Themenwelt Sachbuch/Ratgeber Sport Tanzen / Tanzsport
Schulbuch / Wörterbuch Lexikon / Chroniken
Geisteswissenschaften Philosophie Philosophie des Mittelalters
Sozialwissenschaften Soziologie
ISBN-10 0-8223-5333-4 / 0822353334
ISBN-13 978-0-8223-5333-1 / 9780822353331
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich

von Ulla Ellermann; Maike Tietjens; Flora Thielbörger

Buch | Softcover (2024)
UTB (Verlag)
CHF 39,90