Flamenco Music and National Identity in Spain
Seiten
2012
Routledge (Verlag)
978-1-4094-3484-9 (ISBN)
Routledge (Verlag)
978-1-4094-3484-9 (ISBN)
Explores the efforts of the government in southern Spain to establish flamenco music as a significant patrimonial symbol and marker of cultural identity. Further, this title aims to show that these Andalusian efforts form part of the ambitious project of rethinking the nation-state of Spain, and of reconsidering the nature of national identity.
Flamenco Music and National Identity in Spain explores the efforts of the current government in southern Spain to establish flamenco music as a significant patrimonial symbol and marker of cultural identity. Further, it aims to demonstrate that these Andalusian efforts form part of the ambitious project of rethinking the nation-state of Spain, and of reconsidering the nature of national identity. A salient theme in this book is that the development of notions of style and identity are mediated by social institutions. Specifically, the book documents the development of flamenco's musical style by tracing the genre's development, between 1880 and 1980, and demonstrating the manner in which the now conventional characterization of the flamenco style was mediated by krausist, modernist, and journalist institutions. Just as importantly, it identifies two recent institutional forces, that of audio recording and cinema, that promote a concept of musical style that sharply contrasts with the conventional notion. By emphasizing the importance of forward-looking notions of style and identity, Flamenco Music and National Identity in Spain makes a strong case for advancing the Spanish experiment in nation-building, but also for re-thinking nationalism and cultural identity on a global scale.
Flamenco Music and National Identity in Spain explores the efforts of the current government in southern Spain to establish flamenco music as a significant patrimonial symbol and marker of cultural identity. Further, it aims to demonstrate that these Andalusian efforts form part of the ambitious project of rethinking the nation-state of Spain, and of reconsidering the nature of national identity. A salient theme in this book is that the development of notions of style and identity are mediated by social institutions. Specifically, the book documents the development of flamenco's musical style by tracing the genre's development, between 1880 and 1980, and demonstrating the manner in which the now conventional characterization of the flamenco style was mediated by krausist, modernist, and journalist institutions. Just as importantly, it identifies two recent institutional forces, that of audio recording and cinema, that promote a concept of musical style that sharply contrasts with the conventional notion. By emphasizing the importance of forward-looking notions of style and identity, Flamenco Music and National Identity in Spain makes a strong case for advancing the Spanish experiment in nation-building, but also for re-thinking nationalism and cultural identity on a global scale.
Professor Emeritus William Washabaugh, Department of Anthropology, University of Wisconsin-Milwaukee, USA.
General Editor’s Preface; Preface and Acknowledgements; Chapter 1 Heritage Music; Chapter 2 The Musical Style Called Flamenco; Chapter 3 Indications of Flamenco; Chapter 4 Flamenco Hybridity; Chapter 5 Flamenco Transgressions; Chapter 6 Three Legs; Chapter 7 Autonomous Flamenco; Chapter 8 Flamenco Cinema; Chapter 9 Studio Flamenco; Chapter 10 The Agony of Andalucía; Postscript: UNESCO and Flamenco;
| Reihe/Serie | Ashgate Popular and Folk Music Series |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 508 g |
| Themenwelt | Kunst / Musik / Theater ► Musik |
| Sozialwissenschaften | |
| ISBN-10 | 1-4094-3484-2 / 1409434842 |
| ISBN-13 | 978-1-4094-3484-9 / 9781409434849 |
| Zustand | Neuware |
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