Cutting Across Media
Duke University Press (Verlag)
978-0-8223-4822-1 (ISBN)
In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres. They take up issues of appropriation in the popular and the avant-garde, in altered billboards and the work of the renowned painter Chris Ofili, in hip-hop and the compositions of Béla Bartók and Zoltán Kodály, and in audio mash-ups, remixed news broadcasts, pranks, culture jamming, and numerous other cultural forms. The borrowing practices that they consider often run afoul of intellectual property regimes, and many of the contributors address the effects of copyright and trademark law on creativity. Among the contributors are the novelist and essayist Jonathan Lethem, the poet and cultural critic Joshua Clover, the filmmaker Craig Baldwin, the hip-hop historian Jeff Chang, the ’zine-maker and sound collage artist Lloyd Dunn, and Negativland, the infamous collective that was sued in 1991 for sampling U2 in a satirical sound collage. Cutting Across Media is both a serious examination of collage and appropriation practices and a celebration of their transformative political and cultural possibilities. Contributors. Craig Baldwin, David Banash, Marcus Boon, Jeff Chang, Joshua Clover, Lorraine Morales Cox, Lloyd Dunn, Philo T. Farnsworth, Pierre Joris, Douglas Kahn, Rudolf Kuenzli, Rob Latham, Jonathan Lethem, Carrie McLaren, Kembrew McLeod, Negativland, Davis Schneiderman, David Tetzlaff, Gábor Vályi, Warner Special Products, Eva Hemmungs Wirtén
Kembrew McLeod is Associate Professor of Communication Studies at the University of Iowa. He is the author of Freedom of Expression®: Resistance and Repression in the Age of Intellectual Property and Owning Culture: Authorship, Ownership, and Intellectual Property Law, and co-creator of the documentary film Copyright Criminals. McLeod and Peter DiCola are the authors of Creative License: The Law and Culture of Digital Sampling, also published by Duke University Press. Rudolf Kuenzli is Professor of Comparative Literature and English at the University of Iowa, where he is the Director of the International Dada Archive.
I Collage, Therefore I Am: An Introduction to Cutting Across Media / Kembrew McLeod and Rudolf Kuenzli 1
Digital Mana: On the Source of the Infinite Proliferation of Mutant Copies on Contemporary Culture / Marcus Boon 24
Copyrights and Copywrongs: An Interview with Siva Vaidhyanathan / Carrie McLaren 38
Das Plagiierenwerk: Convolute Uii / David Tetzlaff 51
PhotoStatic Magazine and the Rise of the Casual Publisher / Lloyd Dunn 57
Plagiarism®174; 101: An Appropriated Oral History of the Tape-beatles / Kembrew McLeod 76
Ambiguity and Theft / Joshua Clover 84
Where Does Sad News Come From? / Douglas Kahn 94
Excerpts from "Two Relationships to a Cultural Public Domain" / Negativland 117
Everybody's Got Something to Hide Except for Me and My Lawsuit: William S. Burroughs, DJ Danger Mouse, and the Politics of Grey Tuesday / Davis Schneiderman 132
How Copyright Law Changed Hip-Hop: An Interview with Public Enemy's Chuck D and Hank Shocklee / Kembrew McLeod 152
Hip-Hop Meets the Avant-Garde: A Cease and Desist Letter from Attorneys Representing Philip Glass / Warner Special Products 158
Getting Snippety / Philo T. Farnsworth 160
Crashing the Spectacle: A Forgotten History of Digital Sampling, Infringement, Copyright Liberation, and the End of Recorded Music / Kembrew McLeod 164
Billboard Liberation: A Photo Essay / Craig Baldwin 178
On the Seamlessly Nomadic Future of Collage / Pierre Joris 185
Cultural Sampling and Social Critique: The Collage Aesthetic of Chris Ofili / Lorraine Morales Cox 199
Remixing Cultures: Bartók and Kodály in the Age of Indigenous Cultural Rights / Gábor Vályi 219
A Day to Sing: Creativity, Diversity, and Freedom of Expression in the Network Society / Jeff Chang 237
Visualizing Copyright, Seeing Hegemony: Toward a Meta-Critique of Intellectual Property / Eva Hemmungs Wirtén 252
Collage as Practice and Metaphor in Popular Culture / David Banash 264
Assassination Weapons: The Visual Culture of New Wave Science Fiction / Rob Latham 276
Free Culture: A Conversation with Jonathan Lethem / Kembrew McLeod 290
The Ecstasy of Influence: A Plagiarism / Jonathan Lethem 298
Bibliography 327
Contributors 341
Index 345
| Zusatzinfo | 28 illustrations, incl. 4 in color |
|---|---|
| Verlagsort | North Carolina |
| Sprache | englisch |
| Maße | 156 x 235 mm |
| Gewicht | 590 g |
| Themenwelt | Kunst / Musik / Theater |
| Recht / Steuern ► EU / Internationales Recht | |
| Recht / Steuern ► Wirtschaftsrecht ► Urheberrecht | |
| Sozialwissenschaften | |
| ISBN-10 | 0-8223-4822-5 / 0822348225 |
| ISBN-13 | 978-0-8223-4822-1 / 9780822348221 |
| Zustand | Neuware |
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