John Coltrane and Black America's Quest for Freedom
Spirituality and the Music
Seiten
2010
Oxford University Press Inc (Verlag)
978-0-19-532853-0 (ISBN)
Oxford University Press Inc (Verlag)
978-0-19-532853-0 (ISBN)
Through a diverse collection of essays and interviews featuring leading Black media personalities, musicians and scholars, this volume presents the "insiders' view" - Black perspectives on Coltrane's powerful and lasting legacy viewed in contemporary times within the context of Black strivings for freedom.
John Coltrane's unique and powerful saxophonic sound is commonly recognized among jazz scholars and fans alike as having a "spiritual" nature, imbued with the perfomer's soul, which deeply touches musicians and listeners worldwide. This revered and respected musician created new standards, linked tradition with innovation, challenged common assumptions, and relentlessly pursued spiritual goals in his music, which he aimed openly to use as a means to help listeners see the beauty of life. More than four decades after Coltrane's death, it is this spiritual nature of the music that has kept his sound alive - and thriving - on the contemporary jazz scene.
Edited by prominent jazz musician and scholar Leonard Brown, John Coltrane and Black America's Quest for Freedom is a timely exploration of Coltrane's sound and its spiritual qualities as they relate to Black American music culture and aspirations for freedom. A wide-ranging collection of essays and interviews featuring many of the most eminent figures in jazz studies and performance-Tommy Lee Lott, Anthony Brown, Herman Gray, Emmett G. Price III, Dwight Andrews, Tammy Kernodle, Salim Washington, Eric Jackson, and TJ Anderson (foreword)-the book examines the full spectrum of Coltrane's legacy. Each essay approaches this theme from a different angle, in both historical and contemporary contexts, focusing on how Coltrane became a quintessential example of the universal and enduring qualities of Black American culture. The contributors address Coltrane as the Black intellectual, the visionary master of musical syntax, the man and the media icon, and ultimately the symbol of the spiritual core of Black American music.
John Coltrane's unique and powerful saxophonic sound is commonly recognized among jazz scholars and fans alike as having a "spiritual" nature, imbued with the perfomer's soul, which deeply touches musicians and listeners worldwide. This revered and respected musician created new standards, linked tradition with innovation, challenged common assumptions, and relentlessly pursued spiritual goals in his music, which he aimed openly to use as a means to help listeners see the beauty of life. More than four decades after Coltrane's death, it is this spiritual nature of the music that has kept his sound alive - and thriving - on the contemporary jazz scene.
Edited by prominent jazz musician and scholar Leonard Brown, John Coltrane and Black America's Quest for Freedom is a timely exploration of Coltrane's sound and its spiritual qualities as they relate to Black American music culture and aspirations for freedom. A wide-ranging collection of essays and interviews featuring many of the most eminent figures in jazz studies and performance-Tommy Lee Lott, Anthony Brown, Herman Gray, Emmett G. Price III, Dwight Andrews, Tammy Kernodle, Salim Washington, Eric Jackson, and TJ Anderson (foreword)-the book examines the full spectrum of Coltrane's legacy. Each essay approaches this theme from a different angle, in both historical and contemporary contexts, focusing on how Coltrane became a quintessential example of the universal and enduring qualities of Black American culture. The contributors address Coltrane as the Black intellectual, the visionary master of musical syntax, the man and the media icon, and ultimately the symbol of the spiritual core of Black American music.
Leonard Brown is a professional saxophonist, composer and arranger, an ethnomusicologist and associate professor of African American Studies and Music at Northeastern University in Boston. He is a Ford Fellow (postdoctoral) and the recipient of distinguished scholarship awards. He served as senior consulting historian and principal ethnomusicologist for the American Jazz Museum in Kansas City, MO, the first national jazz museum in the USA and is co-author of Kansas City and All That's Jazz. Brown is co-founder and producer of the John Coltrane Memorial Concert, the world's oldest annual performance tribute to Coltrane, established in Boston in 1977.
FOREWORD BY T.J. ANDERSON; PREFACE BY LEONARD BROWN
| Erscheint lt. Verlag | 30.9.2010 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 234 x 156 mm |
| Gewicht | 526 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Instrumentenkunde |
| Kunst / Musik / Theater ► Musik ► Jazz / Blues | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 0-19-532853-1 / 0195328531 |
| ISBN-13 | 978-0-19-532853-0 / 9780195328530 |
| Zustand | Neuware |
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