Reframing Photography
Routledge (Verlag)
978-0-415-77919-7 (ISBN)
To fully understand photography, it is essential to study both the theoretical and the technical.
In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history and technique to bring photographic education up-to-date with contemporary photographic practice. Reframing Photography is a broad and inclusive rethinking of photography that will inspire students to think about the medium across time periods, across traditional themes, and through varied materials. Intended for both beginners and advanced students, and for art and non-art majors, and practicing artists, Reframing Photography compellingly represents four concerns common to all photographic practice:
vision
light/shadow
reproductive processes
editing/ presentation/ evaluation.
Each part includes an extensive and thoughtful essay, providing a broad cultural context for each topic, alongside discussion of photographic examples. Essays introduce the work of artists who use a diverse range of subject matter and a variety of processes (straight photography, social documentary, digital, mixed media, conceptual work, etc.), examine artists' conceptual and technical choices, describe cultural implications and artistic influences, and analyze how these concerns interrelate. Following each essay, each part continues with a "how-to" section that describes a fascinating range of related photographic equipment, materials and methods through concise explanations and clear diagrams.
Key Features:
case studies featuring profiles of contemporary and historical artists
glossary definitions of critical and technical vocabulary to aid learning
‘how to’ sections provide students with illustrated, step by step guides to different photographic methods, alongside related theory
fully up-to-date, with both high and low tech suggestions for activities
online resources at: www.routledge.com/textbooks/reframingphotography will update information on equipment and provide further activities, information and links to related sites
lavishly illustrated, with over 750 images, including artists’ work and examples of photographic processes.
Rebekah Modrak is a studio artist whose work has been shown at The Sculpture Center, Carnegie Museum of Art, and Kenyon College. She is Associate Professor in the School of Art & Design at the University of Michigan where she teaches courses involving photography, animation, mixed media, and photographic history. Bill Anthes is Associate Professor of Art History at Pitzer College. He has received awards from the Georgia O’Keeffe Museum Research Center, the Center for the Arts in Society at Carnegie Mellon University, the Smithsonian Center for Folklife and Cultural Heritage, and the Creative Capital/Warhol Foundation Art Writers Grant Program.
Selected Contents: Part 1: Vision Essay: Vision: The Eye, Perception and Conventions of Sight Essay: Mediated Vision: Photography & Optical Devices Tools, Materials & Processes: Vision Part 2: Light and Shadow Essay: Light and Shadow Tools, Materials & Processes: Light and Shadow Part 3: Copying, Capturing and Reproducing Essay: Copying, Capturing & Reproducing Tools, Materials & Processes: Reproductive Processes Part 4: Editing, Presentation and Evaluation Essay: Series and Sequence Essay: Word and Image Tools, Materials & Processes: Editing, Presentation and Evaluation
| Erscheint lt. Verlag | 12.1.2011 |
|---|---|
| Zusatzinfo | 774 Halftones, color |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 246 x 189 mm |
| Gewicht | 1336 g |
| Themenwelt | Kunst / Musik / Theater ► Fotokunst |
| Geisteswissenschaften ► Geschichte | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 0-415-77919-7 / 0415779197 |
| ISBN-13 | 978-0-415-77919-7 / 9780415779197 |
| Zustand | Neuware |
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