Theatre, Magic and Philosophy

William Shakespeare, John Dee and the Italian Legacy

Gabriela agnea Horvath (Autor)

Buch | Hardcover

270 Seiten

2017
Routledge (Verlag)
978-1-4724-3627-6 (ISBN)

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Analyzing Shakespeare's ideas on theatre and magic and John Dee's concerns with philosophy and magic in the light of Italian Neoplatonism, this book offers a new perspective on the intellectual history of Renaissance England and Italy.

Analyzing Shakespeare's views on theatre and magic and John Dee's concerns with philosophy and magic in the light of the Italian version of philosophia perennis (mainly Marsilio Ficino, Pico della Mirandola and Giordano Bruno), this book offers a new perspective on the Italian-English cultural dialogue at the Renaissance and its contribution to intellectual history. In an interdisciplinary and intercultural approach, it investigates the structural commonalities of theatre and magic as contiguous to the foundational concepts of perennial philosophy, and explores the idea that the Italian thinkers informed not only natural philosophy and experimentation in England, but also Shakespeare's theatre. The first full length project to consider Shakespeare and John Dee in juxtaposition, this study brings textual and contextual evidence that Gonzalo, an honest old Counsellor in The Tempest, is a plausible theatrical representation of John Dee. At the same time, it places John Dee in the tradition of the philosophia perennis-accounting for what appears to the modern scholar the conflicting nature of his faith and his scientific mind, his powerful fantasy and his need for order and rigor-and clarifies Edward Kelly's role and creative participation in the scrying sessions, regarding him as co-author of the dramatic episodes reported in Dee's spiritual diaries. Finally, it connects the Enochian/Angelic language to the myth of the Adamic language at the core of Italian philosophy and brings evidence that the Enochian is an artificial language originated by applying creatively the analytical instruments of text hermeneutics used in the Cabala.

Gabriela Dragnea Horvath teaches for the NYU Global Liberal Studies Program in Florence and serves as general editor for the on-line publication Voyages-Journal of Contemporary Humanism.

Introduction

Part I: Conceptual Framework and Historical Insights

1. Perennial Philosophy

2. The Theatre and the World

3. Magic

4. Common Features in an Interface with Religion

Part II: God, Man, Nature and the Arts

5. Worlds in Motion and the Domain of Nature

6. What a Piece of Work is Man!

7. Art as Imitatio Dei

Part III: The Sense of Wonder

8. Wonders and Cultures

9. A Poetics of Wonder

10. The Marvelous in Theatre

11. Dr Dee as Wonder Master

12. The Charmed Magician

Part IV: Vision and Spirits

13. Visual Turbulence

14. Vis imaginativa and Unsettled Fancy

15. Spiritual Beings

16. The Spirits and the Mind

Part V: The Power of Words

17. Renaissance, Reformation and Languages of Power

18. Lingua et Vox Angelica

19. What’s in a Name?

Conclusion

Erscheinungsdatum	13.07.2017
Reihe/Serie	Anglo-Italian Renaissance Studies
Verlagsort	London
Sprache	englisch
Maße	156 x 234 mm
Gewicht	453 g
Themenwelt	Literatur ► Lyrik / Dramatik ► Dramatik / Theater
	Kunst / Musik / Theater ► Theater / Ballett
	Schulbuch / Wörterbuch ► Wörterbuch / Fremdsprachen
	Geisteswissenschaften ► Geschichte
	Geisteswissenschaften ► Philosophie ► Philosophie des Mittelalters
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
ISBN-10	1-4724-3627-X / 147243627X
ISBN-13	978-1-4724-3627-6 / 9781472436276
Zustand	Neuware