Blues and Gospel Records, 1890-1943
Seiten
1997
|
4th Revised edition
Clarendon Press (Verlag)
978-0-19-816239-1 (ISBN)
Clarendon Press (Verlag)
978-0-19-816239-1 (ISBN)
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A complete listing of all blues and gospel recordings by African-American artists from the earliest cylinders up to the end of 1943. It contains full details of singers, accompanists, place and date of recording, titles, issue numbers and alternate takes.
Since its first edition in 1964, Dixon and Godrich's Blues and Gospel Records has been dubbed 'the bible' for collectors of pre-war African-American music. It provides an exhaustive listing of all recordings made up to the end of 1943 in a distinctively African-American musical style, excluding those customarily classed as jazz (which are the subject of separate discographies). The book covers recordings made for the commercial market (whether issued at the time or not) and also recordings made for the Library of Congress Archive of Folk Song and similar bodies -- about 20,000 titles in all, by more than 3,000 artists. For each recording session, full details are given of: artist credit, accompaniment, place and date of recording, titles, issuing company and catalogue numbers, matrix numbers and alternate takes. There are also short accounts of the major 'race labels', which recorded blues and gospel material, and a complete list of field trips to the south by travelling recording units. Howard Rye has joined the original compilers for this thoroughly revised fourth edition. This book is intended for anyone interested in pre-war blues and/or gospel music.
Since its first edition in 1964, Dixon and Godrich's Blues and Gospel Records has been dubbed 'the bible' for collectors of pre-war African-American music. It provides an exhaustive listing of all recordings made up to the end of 1943 in a distinctively African-American musical style, excluding those customarily classed as jazz (which are the subject of separate discographies). The book covers recordings made for the commercial market (whether issued at the time or not) and also recordings made for the Library of Congress Archive of Folk Song and similar bodies -- about 20,000 titles in all, by more than 3,000 artists. For each recording session, full details are given of: artist credit, accompaniment, place and date of recording, titles, issuing company and catalogue numbers, matrix numbers and alternate takes. There are also short accounts of the major 'race labels', which recorded blues and gospel material, and a complete list of field trips to the south by travelling recording units. Howard Rye has joined the original compilers for this thoroughly revised fourth edition. This book is intended for anyone interested in pre-war blues and/or gospel music.
The compilers of this volume come from a mixture of backgrounds. Robert M. W. Dixon is Director of the Research Centre for Linguistic Typology at the Australian National University. He has done original field research on the indigenous languages of Australia, Fiji, and Amazonia, besides writing A New Approach to English Grammar: On Semantic Principles (Clarendon Press, 1991). The late John Godrich was in the Merchant Navy and then worked as a clerk at Swansea Docks. Howard Rye, who like Dixon is an Oxford graduate, is an independent scholar of jazz and blues. He is principal researcher for the New Grove Dictionary of Jazz and is a regular contributor to jazz and blues publications. From 1980 to 1995, he was editor of Collectors Items.
| Erscheint lt. Verlag | 1.9.1997 |
|---|---|
| Überarbeitung | Howard Rye |
| Zusatzinfo | bibliography |
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 150 x 230 mm |
| Gewicht | 1726 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Jazz / Blues |
| Schulbuch / Wörterbuch ► Lexikon / Chroniken | |
| ISBN-10 | 0-19-816239-1 / 0198162391 |
| ISBN-13 | 978-0-19-816239-1 / 9780198162391 |
| Zustand | Neuware |
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