Noble Brutes
How Eastern Horses Transformed English Culture
Seiten
2009
Johns Hopkins University Press (Verlag)
978-0-8018-9028-4 (ISBN)
Johns Hopkins University Press (Verlag)
978-0-8018-9028-4 (ISBN)
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This radical reinterpretation of Ottoman and Arab influences on horsemanship and breeding sheds new light on English national identity, as illustrated in such classic works as Jonathan Swift's Gulliver's Travels and George Stubbs's portrait of Whistlejacket.
"His lordship's Arabian," a phrase often heard in eighteenth-century England, described a new kind of horse imported into the British Isles from the Ottoman Empire and the Barbary States of North Africa. Noble Brutes traces how the introduction of these Eastern blood horses transformed early modern culture and revolutionized England's racing and equestrian tradition. More than two hundred Oriental horses were imported into the British Isles between 1650 and 1750. With the horses came Eastern ideas about horsemanship and the relationship between horses and humans. Landry's groundbreaking archival research reveals how these Eastern imports profoundly influenced riding and racing styles, as well as literature and sporting art. After only a generation of crossbreeding on British soil, the English Thoroughbred was born, and with it the gentlemanly ideal of free forward movement over a country as an enactment of English liberties. This radical reinterpretation of Ottoman and Arab influences on horsemanship and breeding sheds new light on English national identity, as illustrated in such classic works as Jonathan Swift's Gulliver's Travels and George Stubbs's portrait of Whistlejacket.
"His lordship's Arabian," a phrase often heard in eighteenth-century England, described a new kind of horse imported into the British Isles from the Ottoman Empire and the Barbary States of North Africa. Noble Brutes traces how the introduction of these Eastern blood horses transformed early modern culture and revolutionized England's racing and equestrian tradition. More than two hundred Oriental horses were imported into the British Isles between 1650 and 1750. With the horses came Eastern ideas about horsemanship and the relationship between horses and humans. Landry's groundbreaking archival research reveals how these Eastern imports profoundly influenced riding and racing styles, as well as literature and sporting art. After only a generation of crossbreeding on British soil, the English Thoroughbred was born, and with it the gentlemanly ideal of free forward movement over a country as an enactment of English liberties. This radical reinterpretation of Ottoman and Arab influences on horsemanship and breeding sheds new light on English national identity, as illustrated in such classic works as Jonathan Swift's Gulliver's Travels and George Stubbs's portrait of Whistlejacket.
Donna Landry is a professor of English at the University of Kent and author of The Invention of the Countryside: Hunting, Walking, and Ecology in English Literature, 1671-1831 and The Muses of Resistance: Laboring-Class Women's Poetry in Britain, 1739-1796.
Introduction: What the Horses Said: An Equine History
1. Horsemanship in the British Isles before the Eastern Invasion
2. The Making of the English Hunting Seat
3. Steal of a Turk: Tracking in Bloodstock
4. About a Horse: The Bloody Shouldered Arabian
5. The Noble Brute: Contradictions in Equine Ideology, East and West
Epilogue: Her Ladyship's Arabian: Aftermaths
Acknowledgments
Notes
Essay on Sources
Index
Erscheint lt. Verlag | 27.3.2009 |
---|---|
Reihe/Serie | Animals, History, Culture |
Zusatzinfo | 12 Halftones, black and white |
Verlagsort | Baltimore, MD |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 476 g |
Themenwelt | Sachbuch/Ratgeber ► Natur / Technik ► Tiere / Tierhaltung |
Sachbuch/Ratgeber ► Sport ► Reiten / Pferde | |
Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
ISBN-10 | 0-8018-9028-4 / 0801890284 |
ISBN-13 | 978-0-8018-9028-4 / 9780801890284 |
Zustand | Neuware |
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