The Abyss Stares Back
Encounters with Deep-Sea Life
Seiten
2025
University of Minnesota Press (Verlag)
978-1-5179-1873-6 (ISBN)
University of Minnesota Press (Verlag)
978-1-5179-1873-6 (ISBN)
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In an era of accelerating extinctions, what does it mean to discover thousands of new species in the deep sea?
As we see the catastrophic effects of the Anthropocene continue to proliferate, advanced technologies have also granted us greater access to the furthest reaches of the world’s oceans, facilitating the discovery of countless new species. Sorting through the implications of this strange paradox, Stacy Alaimo explores what bearing this newfound intimacy with the deep sea might have on our broader relationship to the nonhuman world. While many images of these abyssal creatures circulate as shallow clickbait, aesthetic representations can be enticing lures for speculating about their lives, profoundly expanding the scope of our environmental concern.
The Abyss Stares Back analyzes a diverse range of scientific, literary, and artistic accounts of deep-sea exploration, including work from the naturalist William Beebe and the artist Else Bostelmann as well as the results of the decade-long Census of Marine Life that began at the turn of the twenty-first century. As she focuses on oft-overlooked creatures of the deep, such as tubeworms, hatchetfish, siphonophores, and cephalopods, which are typically cast as “alien,” Alaimo shows how depictions of the deep seas have been enmeshed in long colonial histories and racist constructions of a threatening abyss.
Drawing on feminist environmentalism, posthumanism, science and technology studies, and Indigenous and non-Western perspectives, Alaimo details how our understanding of science is fundamentally altered by aesthetic encounters with these otherworldly life forms. She argues that, although the deep sea is often thought of as a lifeless void with little connection to human existence, our increasing devastation of this realm underscores our ethical obligation to protect the biodiverse life in the depths. When the abyss stares back, it demands recognition.
As we see the catastrophic effects of the Anthropocene continue to proliferate, advanced technologies have also granted us greater access to the furthest reaches of the world’s oceans, facilitating the discovery of countless new species. Sorting through the implications of this strange paradox, Stacy Alaimo explores what bearing this newfound intimacy with the deep sea might have on our broader relationship to the nonhuman world. While many images of these abyssal creatures circulate as shallow clickbait, aesthetic representations can be enticing lures for speculating about their lives, profoundly expanding the scope of our environmental concern.
The Abyss Stares Back analyzes a diverse range of scientific, literary, and artistic accounts of deep-sea exploration, including work from the naturalist William Beebe and the artist Else Bostelmann as well as the results of the decade-long Census of Marine Life that began at the turn of the twenty-first century. As she focuses on oft-overlooked creatures of the deep, such as tubeworms, hatchetfish, siphonophores, and cephalopods, which are typically cast as “alien,” Alaimo shows how depictions of the deep seas have been enmeshed in long colonial histories and racist constructions of a threatening abyss.
Drawing on feminist environmentalism, posthumanism, science and technology studies, and Indigenous and non-Western perspectives, Alaimo details how our understanding of science is fundamentally altered by aesthetic encounters with these otherworldly life forms. She argues that, although the deep sea is often thought of as a lifeless void with little connection to human existence, our increasing devastation of this realm underscores our ethical obligation to protect the biodiverse life in the depths. When the abyss stares back, it demands recognition.
Stacy Alaimo is professor of English and core faculty member in environmental studies at the University of Oregon. She is author of several books, including Bodily Natures: Science, Environment, and the Material Self and Exposed: Environmental Politics and Pleasures in Posthuman Times (Minnesota, 2016).
| Erscheint lt. Verlag | 20.8.2025 |
|---|---|
| Reihe/Serie | Posthumanities |
| Zusatzinfo | 12 black and white illustrations, 9 color plates |
| Verlagsort | Minnesota |
| Sprache | englisch |
| Maße | 140 x 216 mm |
| Gewicht | 454 g |
| Themenwelt | Sachbuch/Ratgeber ► Natur / Technik ► Natur / Ökologie |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Naturwissenschaften ► Geowissenschaften ► Hydrologie / Ozeanografie | |
| ISBN-10 | 1-5179-1873-1 / 1517918731 |
| ISBN-13 | 978-1-5179-1873-6 / 9781517918736 |
| Zustand | Neuware |
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