Greasepaint Puritan
The University of Michigan Press (Verlag)
978-0-472-05657-6 (ISBN)
Greasepaint Puritan details the life and work of Bradford Ropes, author of the bawdy 1932 novel 42nd Street, on which the classic film and its stage adaptation are based. Each of Ropes’s long-forgotten novels was inspired by his own experiences as a performer, and focused on the lives of gay men in show business, offering rare glimpses into backstage Broadway. But why did Ropes’s body of work, and consequently his biographical footsteps, disappear into such obscurity?
Greasepaint Puritan aims to find out and reclaim his story. Descended from Mayflower Pilgrims, Ropes rebelled against the “Proper Bostonian” life, in a career that touched upon the Jazz Age, American vaudeville, and theater censorship. We follow Ropes’s successful career as both a performer and the author of the trilogy of backstage novels: 42nd Street, Stage Mother, and Go Into Your Dance. Populated by scheming stage mothers, precocious stage children, grandiose bit players, and tart-tongued chorines, these novels centered on the lives and relationships of gay men on Broadway during the Jazz Age and Prohibition era. Rigorously researched, Greasepaint Puritan chronicles Ropes’s career as a successful screenwriter in 1930s and ’40s Hollywood, where he continued to be a part of a dynamic gay subculture within the movie industry before returning to obscurity in the 1950s. His legacy lives on in the Hollywood and Broadway incarnations of 42nd Street—but Greasepaint Puritan restores the “forgotten melody” of the man who first envisioned its colorful characters.
Maya Cantu is a dramaturg, interdisciplinary scholar, and historian who teaches on the Drama Faculty of Bennington College. She is also the author of American Cinderellas on the Broadway Musical Stage: Imagining the Working Girl from “Irene” to “Gypsy”.
List of Figures
Acknowledgments
INTRODUCTION
The Enduring Myth of 42nd Street and the “Forgotten Melody” of Bradford Ropes
INTERLUDE
The Stories of Ropes’s Backstage Trilogy
ONE
Peering Back at “Proper Boston”
TWO
Drag Reveals and “Strange Interludes”:
Billy Bradford’s Dances on Broadway
THREE
“This is Not a Book to Give to a Maiden Aunt”:
The Influence of Backstage Novels and “Pansy Craze” Novels
FOUR
“Light-Hearted and Damned”:
Anti-Gay Discrimination and Camp Defiance in Ropes’s Backstage Novels
FIVE
“Your Blood Responds More Eagerly to the Lure of the Theatre”:
The Backstage Trilogy, the Puritan Ethos, and the Myth of “The Show Must Go On”
SIX
Bringing Back Bradford Ropes
Notes
Bibliography
Index
| Erscheinungsdatum | 26.01.2024 |
|---|---|
| Zusatzinfo | 16 illustrations |
| Verlagsort | Ann Arbor |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 272 g |
| Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
| Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical | |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Sachbuch/Ratgeber ► Geschichte / Politik | |
| Sozialwissenschaften ► Soziologie ► Gender Studies | |
| ISBN-10 | 0-472-05657-3 / 0472056573 |
| ISBN-13 | 978-0-472-05657-6 / 9780472056576 |
| Zustand | Neuware |
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