The Sixth Extinction
An Unnatural History
Seiten
2022
TOC Publishing (Verlag)
978-3-949164-05-7 (ISBN)
TOC Publishing (Verlag)
978-3-949164-05-7 (ISBN)
Awarded with the prestigious Pulitzer Prize in non-fiction "The Sixth Extinction" is an adventurous and sensible exploration and profoundly challenges our thinking about the relationship between humans and nature.
For the book jacket TOC art director Susanna Dulkinys sat down to express what we considered the lesson Elizabeth Kolbert wants to get across. Each element of the pattern is a life form in all its perfection, but underneath, in acid green color, these characters are distorted and exploded, representing change and destruction. Inside the pattern repeat randomly on full pages, printed letterpress.
The typeface is FF Hertz, named after Heinrich Hertz, a German physicist, who proved the existence of electromagnetic waves. FF Hertz is a uni-width typeface, meaning that each letter occupies the same width in all weights. If you change the weight of a word or a whole line, the text will not reflow. We particularly like the figures: they remind us of our 70’s typewriters. For titles, chapter headings and other places requiring a louder voice, we picked a typeface by a good friend, Christoph Koeberlin, who describes his Fabrikat thus: “It is a geometric typeface which is based on 20th century German engineers’ typefaces. Due to its constructed architecture it works well in headlines and other display use.”
For the book jacket TOC art director Susanna Dulkinys sat down to express what we considered the lesson Elizabeth Kolbert wants to get across. Each element of the pattern is a life form in all its perfection, but underneath, in acid green color, these characters are distorted and exploded, representing change and destruction. Inside the pattern repeat randomly on full pages, printed letterpress.
The typeface is FF Hertz, named after Heinrich Hertz, a German physicist, who proved the existence of electromagnetic waves. FF Hertz is a uni-width typeface, meaning that each letter occupies the same width in all weights. If you change the weight of a word or a whole line, the text will not reflow. We particularly like the figures: they remind us of our 70’s typewriters. For titles, chapter headings and other places requiring a louder voice, we picked a typeface by a good friend, Christoph Koeberlin, who describes his Fabrikat thus: “It is a geometric typeface which is based on 20th century German engineers’ typefaces. Due to its constructed architecture it works well in headlines and other display use.”
Elizabeth Kolbert, born 1961, gratuated from Yale in literature and was awarded a Fulbright Scholarship in Hamburg, Germany. She is a staff writer at The New Yorker since 1999. She is the editor of The Best American Science and Nature Writing 2009. Kolbert lives in Williamstown, Massachusetts, with her husband and children. For her work she has received several awards, among them two National Magazine Awards, SEAL Enviromental Journalism Award and the Blake-Dodd Prize from the American Academy of Arts and Letters.
| Erscheinungsdatum | 07.09.2022 |
|---|---|
| Reihe/Serie | TOC Publishing ; 5 |
| Verlagsort | Berlin |
| Sprache | englisch |
| Maße | 135 x 215 mm |
| Gewicht | 400 g |
| Themenwelt | Sachbuch/Ratgeber ► Natur / Technik ► Naturwissenschaft |
| Schlagworte | Anthropozän • Artensterben • Biodiversität • Elizabeth Kolbert • Klimawandel • menschengemachter Klimawandel • Pulitzer Preis |
| ISBN-10 | 3-949164-05-7 / 3949164057 |
| ISBN-13 | 978-3-949164-05-7 / 9783949164057 |
| Zustand | Neuware |
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