A Critical Cultural Approach to Public Speaking
Seiten
2022
Kendall/Hunt Publishing Co ,U.S. (Verlag)
979-8-7657-0755-5 (ISBN)
Kendall/Hunt Publishing Co ,U.S. (Verlag)
979-8-7657-0755-5 (ISBN)
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We are always and already willing to revise our drafts as we give new speeches/talks on the same topics, or even when we speak extemporaneously without a planned script. To further this idea, this book turns to three ideas: critical pedagogy, (critical) intercultural communication, and intersectionality.
What does it mean to speak critically and/or culturally? One answer to this question is to be aware of, adapt to, and challenge the unspoken assumptions buried within traditional models of public speaking. One such assumption is that when we prepare for public speaking we believe that we have to get something "ready," by which we mean printed out, rehearsed, and perfected—that is what we think of as a speech. At least, we romanticize and desire such a speech. Allowing ourselves to deviate from this assumption, we might see a public speech not as a final product but as something that's always in process and will change as new information is available (e.g., data, research, etc.). As opposed to a traditional public speaking framework, we can reframe the speech act as an opportunity to come up with new ideas and to make new connections—and to grow. Understood through this framework, we are always and already willing to revise our drafts as we give new speeches/talks on the same topics, or even when we speak extemporaneously without a planned script. To further this idea, I'll turn to three ideas: Critical pedagogy, (critical) intercultural communication, and intersectionality.
What does it mean to speak critically and/or culturally? One answer to this question is to be aware of, adapt to, and challenge the unspoken assumptions buried within traditional models of public speaking. One such assumption is that when we prepare for public speaking we believe that we have to get something "ready," by which we mean printed out, rehearsed, and perfected—that is what we think of as a speech. At least, we romanticize and desire such a speech. Allowing ourselves to deviate from this assumption, we might see a public speech not as a final product but as something that's always in process and will change as new information is available (e.g., data, research, etc.). As opposed to a traditional public speaking framework, we can reframe the speech act as an opportunity to come up with new ideas and to make new connections—and to grow. Understood through this framework, we are always and already willing to revise our drafts as we give new speeches/talks on the same topics, or even when we speak extemporaneously without a planned script. To further this idea, I'll turn to three ideas: Critical pedagogy, (critical) intercultural communication, and intersectionality.
Yusaku Yajima Dr. Yusaku Yajima is the author of three books, including Becoming (Un)desirable (2020), has taught in four countries (Japan, U.S., France, and Finland), and teaches Communication Studies at the University of Louisiana. He is also the president of the Louisiana Communication Association, a reviewer for the Yale Undergraduate Research Journal, a fellow at CMM Institute in partnership with Columbia University, and a NowDo professional speaker.
Acknowledgments
Part 1 - Foundation
Part 2 - Preparation
Part 3 - Crafting Ideas
Part 4 - Your Speech Day
References
| Erscheint lt. Verlag | 30.4.2022 |
|---|---|
| Verlagsort | Iowa |
| Sprache | englisch |
| Gewicht | 363 g |
| Themenwelt | Sachbuch/Ratgeber ► Beruf / Finanzen / Recht / Wirtschaft ► Briefe / Präsentation / Rhetorik |
| ISBN-13 | 979-8-7657-0755-5 / 9798765707555 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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