Dance Theory

Source Readings from Two Millennia of Western Dance

Buch | Softcover

322 Seiten

2020
Oxford University Press Inc (Verlag)
978-0-19-005976-7 (ISBN)

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The history of dance theory has never been told. Writers in every age have theorized prescriptively, according to their own needs and ideals, and theorists themselves having continually asserted the lack of any pre-existing dance theory. Dance Theory: Source Readings from Two Millenia of Western Dance revives and reintegrates dance theory as a field of historical dance studies, presenting a coherent reading of the interaction of theory and practice during two millennia of dance history. In fifty-five selected readings with explanatory text, this book follows the various constructions of dance theories as they have morphed and evolved in time, from ancient Greece to the twenty-first century.

Dance Theory is a collection of source readings that, commensurate with current teaching practice, foregrounds dance and performance theory in its presentation of western dance forms. Divided into nine chapters organized chronologically by historical era and predominant intellectual and artistic currents, the book presents a history of an idea from one generation to another. Each chapter contains introductions that not only provide context and significance for the individual source readings, but also create narrative threads that link different chapters and time periods. Based entirely on primary sources, the book makes no claim to cite every source, but rather, in connecting the dots between significant high points, it attempts to trace a coherent and fair narrative of the evolution of dance theory as a concept in Western culture.

Tilden Russell is Professor Emeritus of Music at Southern Connecticut State University. The Compleat Dancing Master (2012), his two-volume translation with commentary of Gottfried Taubert's Rechtschaffener Tantzmeister, received the Society of Dance History Scholars' de la Torre Bueno Prize Special Citation. He further explores early eighteenth-century German dance theory in Theory and Practice in Eighteenth-Century Dance: The German-French Connection (2017), and is co-author, with Dominique Bourassa, of The Menuet de la cour (2007). He has written and lectured on Taubert and his contemporaries, dance theory, the minuet and scherzo, and other topics in dance and music history, with articles published in Dance Research, Dance Chronicle, The Journal of Musicology, Journal of the American Musicological Society, Musical Quarterly, Acta musicologica, Imago musicae, Beethoven Forum, The New Grove 2nd edition, and elsewhere.

List of Illustrations
Preface
Acknowledgments

Introduction: Dance Theory as a Problem in Dance History

Chapter 1. Dance Theory to ca. 1300
1.1. Plato
1.2. Aristotle
1.3. Plutarch
1.4. Lucian of Samosata
1.5. Johannes de Grocheio

Chapter 2. The Renaissance
2.1. Domenico da Piacenza
2.2. Antonio Cornazano
2.3. Guglielmo Ebreo
2.4. Thoinot Arbeau
2.5. Fabritio Caroso

Chapter 3. The Seventeenth Century
3.1. François De Lauze
3.2. Claude-François Menestrier

Chapter 4. The Early Enlightenment: German and English Dance Theory, 1703-1721
4.1. Samuel Rudolph Behr
4.2. Johann Pasch
4.3. Gottfried Taubert
4.4. John Weaver

Chapter 5. Dance Theory from Feuillet to the Encyclopédie
5.1. Giambatista Dufort
5.2. Bartholome Ferriol y Boxeraus
5.3 Pierre-Alexandre Hardouin
5.4. Louis de Cahusac

Chapter 6. Divergent Paths: Noverre
6.1. Jean-Georges Noverre
6.2. Giovanni-Andrea Gallini
6.3. Johann George Sulzer
6.4. Gennaro Magri
6.5. Charles Compan

Chapter 7. The Nineteenth Century and Fin de siècle: Practice Ascendent
7.1. Jean-Étienne Despréaux
7.2. Carlo Blasis
7.3. Arthur St. Léon
7.4. G. Léopold Adice
7.5. Friedrich Albert Zorn
7.6. Eugène Giraudet
7.7. Edmond Bourgeois

Chapter 8. The Twentieth Century: Modernist Theory
8.1. Rudolf von Laban
8.2. Margaret N. H'Doubler
8.3. African American Dance Theory I
8.3a. Zora Neale Hurston, and 8.3b. Katherine Dunham
8.3c. Robert Farris Thompson
8.3d. Brenda Dixon Gottschild
8.4. Martha Graham
8.5a. Alwin Nikolais, and 8.5b. Murray Louis
8.6a. Flavia Pappacena, and 8.6b. Susanne Franco

Chapter 9. Postmodern Dance Theory and Anti-Theory
9.1a. Merce Cunningham, and 9.1b,c. Yvonne Rainer
9.2. Susan Leigh Foster
9.3. André Lepecki and Jenn Joy
9.4. African American Dance Theory II
9.4a. Thomas F. DeFrantz, and 9.4b. Anita Gonzalez
9.4c. Halifu Osumare
9.4d. Nadine George-Graves
9.4e. Philipa Rothfield and Thomas F. DeFrantz
9.5a. Susan Leigh Foster, and 9.5b. P.A.R.T.S. (Performing Arts Research and Training Studios)
9.6a. Kent De Spain, and 9.6b. Janet Lansdale
9.7. Gabriele Brandstetter

Appendix: Table of Dance Periodization
Bibliography
Index

Erscheinungsdatum	07.04.2020
Zusatzinfo	20 images
Verlagsort	New York
Sprache	englisch
Maße	155 x 231 mm
Gewicht	454 g
Themenwelt	Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport
ISBN-10	0-19-005976-1 / 0190059761
ISBN-13	978-0-19-005976-7 / 9780190059767
Zustand	Neuware