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The Escape and Suicide of John Wilkes Booth (eBook)

Assassin of President Lincoln
eBook Download: EPUB
2018
261 Seiten
Charles River Editors (Verlag)
978-1-5378-0733-1 (ISBN)

Lese- und Medienproben

The Escape and Suicide of John Wilkes Booth - Finis Langdon Bates
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The Escape and Suicide of John Wilkes Booth : Assassin of President Lincoln is an amazing account by Finis Bates in which he suggests Booth did not die as most historians thinks.  Bates believes Booth lived under assumed names such as John St. Helen.  



The Escape and Suicide of John Wilkes Booth : Assassin of President Lincoln is an amazing account by Finis Bates in which he suggests Booth did not die as most historians thinks. Bates believes Booth lived under assumed names such as John St. Helen.

CHAPTER III.


..................

JOHN ST. HELEN LECTURES ROLAND REED


IN THE LATTER PART OF the June following my trip to Tyler, St. Helen came into my office and extended to me an invitation to attend, as the orator of the day, a barbecue to be given on the 4th of July at Glenrose Mills. Having accepted this invitation, in company with Gen. J. M. Taylor, made famous by his achievements in the Seminole Indian war in the State of Florida, and for many years an honored and useful citizen of the State of Texas, I attended this patriotic celebration. And I here make mention of Gen. J. M. Taylor as a tribute to his memory for the public services he has performed as well as his loyal friendship to me. And I in benedictions bespeak the repose of his soul in peace, long since left its tenement of clay.

Arriving at Glenrose on the forenoon of the day appointed, we were met by St. Helen, the master of ceremonies on this occasion, and taken to his private apartments in the log storehouse, which had been put in readiness for the royal reception accorded us.

With his servants in waiting all were attentive, while St. Helen entertained us with a lavish hand in princely welcome in that manner peculiarly his own. When I turned to view the platform and plot of ground made ready for the day, and the people as they were gathering from beyond the Bosque river, I saw the ideal location for the barbecue, within the shade of the wide-spreading water oaks in the narrow Bosque valley. And while thus taking in the situation, at the suggestion of Gen. Taylor, the General, St. Helen and myself left for the grounds. As we stepped upon the platform I was greatly surprised at the stage presence and consummate ease of manner and reassuring appearance of St. Helen, who was easily the center of attraction, and the commanding personality present. Gen. Taylor and I seated ourselves, while St. Helen remained standing. The people hurriedly gathered, giving us a hearty reception. Order being restored, St. Helen, posing gracefully, caused a hush of silence, and by a look of invitation called me to his side. Standing thus beside him to the front of the platform he, in his inimical manner, in his full, clear voice, with choice and eloquent language, introduced me as the first speaker, as he did subsequently introduce Gen. Taylor as the second speaker. On the close of the speeches made by Gen. Taylor and myself, St. Helen, in a short, eloquent and timely speech, completely captivated the crowd, as well as ourselves, by his pre-eminent superiority over those with whom he came in contact during the day.

St. Helen’s complete knowledge of elocution, ease and grace of person, together with his chaste and eloquent diction, seemed to be nature’s gift rather than studied effort. It was but natural then that on the lips and in the minds of all present the inquiry should be, Who can this man St. Helen be? He being, in fact, a stranger to those present, who only casually knew him in this gathering, and without kith or kin so far as any one present knew, made the people more anxious to learn the identity of the man; an orator of the highest class, while the men and women lingered at Glenrose in the presence of St. Helen until the dying day cast its shadows upon Bosque’s lofty tops and darkness was weaving the mantle of night over valleys below. Then congratulations, thank yous, glad to have met you and good byes were said.

At this parting Gen. Taylor and I left for our homes after a delightful day fraught with interest and events long to be pleasantly remembered by all in attendance, and to me it marked the beginning of a better knowledge of the character of and a closer personal relation with John St. Helen, whose physical beauty, so to speak, and mental attainments no man could fail to appreciate and no woman fail to admire.

St. Helen, the man who entertained you to mirth or to tears, as his own mood might inspire, while he himself stood unmoved by the emotions displayed around him—the man kind of disposition, careless of self, thoughtful of others, but living his own life in soliloquy, revelling in the thoughts of the master minds of the past. While his selections and recitations were grandly and elegantly delivered, yet despite your efforts your soul would be shaken and from the eyes tracing tears would steal like dew drops cast from a shaken reed. Painful? No. Unpleasant? No. But rather resembling a sorrow as a “mist resembles rain”—a sigh of hope, a tear of sympathy, or rather an exalted thought given expression to by a tear, the index to the feeling of the soul. St. Helen himself said he could not weep, though grief he knew to its bitterest depth, and lived a life bent with the burden of crime. These and kindred utterances made to me in private, in hours spent alone with him, aroused in me an anxious desire to know in very fact who he was. He told me his true name was not St. Helen, and the ascertaining of more definite information as to his true name was made unusually difficult by reason of his sensitiveness to the mention of all subjects pertaining to himself, in the various conversations had between St. Helen and myself before he removed with his business from Glenrose Mills to Grandberry, sometime in October following the 4th of July barbecue mentioned.

St. Helen’s business did not seem to be a matter of necessity with him, as he at all times appeared to have more money than was warranted by his stock in trade, and he apparently took little interest in it and trusted at all times the waiting on of customers to his negro or Mexican porter, while he was in fact a man of leisure, spending most of his time after his removal to Grandberry in my office, reading and entertaining me after business hours, and in our idle moments in many other ways, but his favorite occupation was reading Shakespeare’s plays, or rather reciting them as he alone could do. And his special preference seemed to be that of Richard III. and he began his recitations, as I now remember him, by somewhat transposing the introductory of Richard III., saying:

“I would I could laugh with those who laugh and weep with those who weep, wet my eyes with artificial tears and frame my face to all occasions——” following with much of the recitation of Richard III., as well as others of Shakespeare’s plays.

While these recitations from Shakespeare charmed the ear and pleased all listeners, his rendition of Tennyson’s Locksley Hall, once heard at an evening’s entertainment, left an impress that years could never efface.

On other occasions I came in for lessons in elocution with full instructions and practical illustrations in minute details of when and how to enter upon the stage or public platform; St. Helen giving comical illustrations himself as to how the average statesman come blundering on the platform, looking for a seat they could not find, finally falling into a chair apparently not of their choice but by accident, when they would cross their legs, stick the toes of their shoes inward while trying to hide their hands close down in their laps or behind their seats, or by clasping them in front of themselves and resting them on their crossed and agitated limbs, nervously rolling one thumb over the other, finally collapsing and wiping the perspiration from their faces with undue vigor and haste. All of which was impersonated by St. Helen in such a realistic manner that it was enjoyable to the extreme, as well as most profitable to me in after life. And as a result of this careful training I am now quick to observe the want of stage presence and lack of ease of manner in statesmen on the public platform or persons before the footlights.

St. Helen was not a man of classical education, but rather a born rhetorician and elocutionist, a learning apparently confined to and obtained from theatrical plays as well as a literature pertaining to the stage, evidenced by the many theatrical periodicals or papers to be found in his room. This intimacy with every detail of theatrical work was shown on the occasion of his criticism of Roland Reed, when St. Helen, Reed and I were alone together. Roland Reed in his boyhood was touring the country in his father’s company, composed practically of Mr. and Mrs. Reed and their son, Roland, who was starring in light comedies by the impersonation of simple and frivolous characters, and they played two or three nights at Grandberry, which performances St. Helen and I attended together, and on the morning after the third night’s play St. Helen requested Reed and myself to take a walk with him to view the Brazos river, which was then flowing with torrents of water. During this stroll St. Helen began with great earnestness to discuss theatrical subjects with Roland Reed, which discussion went into all essential details of the highest class of acting. St. Helen’s criticism became personal to Reed, pointing out to him that in the impersonation of certain of the characters rendered by him, especially the character of an old maid, in which, as I remember St. Helen’s criticism of Reed, was of the greatest personal severity, and among other things he said that in the character of the old maid Reed’s acting reminded him of a simpleton attempting to impersonate the character and eccentricities of an idiot, more appropriate to the playgrounds of the innocent and half-witted than to the intelligent public before the footlights, and suggested that the artist should create the impression on his audience that the actor by his superior intelligence was creating and portraying the character of the foolish maiden, stamping the play with his individuality of character, and that...

Erscheint lt. Verlag 22.3.2018
Sprache englisch
Themenwelt Sachbuch/Ratgeber Geschichte / Politik 20. Jahrhundert bis 1945
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Geschichte Teilgebiete der Geschichte Militärgeschichte
Schlagworte conspiracy • David George • john st helen
ISBN-10 1-5378-0733-1 / 1537807331
ISBN-13 978-1-5378-0733-1 / 9781537807331
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