Zombie Cinema
Seiten
2017
Rutgers University Press (Verlag)
978-0-8135-8946-6 (ISBN)
Rutgers University Press (Verlag)
978-0-8135-8946-6 (ISBN)
Charts the transformation zombies into pop culture icons, exploring their enormous appeal to viewers in the twenty-first century. It traces the evolution of the living dead on film, and surveys the present cinematic landscape, in which zombies have overrun every imaginable genre from the indie comedy to the teen romance. The book also maps the recent outbreaks of zombies on television.
It’s official: the zombie apocalypse is here. The living dead have been lurking in popular culture since the 1930s, but they have never been as ubiquitous or as widely-embraced as they are today.
Zombie Cinema is a lively and accessible introduction to this massively popular genre. Presenting a historical overview of zombie appearances in cinema and on television, Ian Olney also considers why, more than any other horror movie monster, zombies have captured the imagination of twenty-first-century audiences.
Surveying the landmarks of zombie film and TV, from White Zombie to The Walking Dead, the book also offers unique insight into why zombies have gone global, spreading well beyond the borders of American and European cinema to turn up in films from countries as far-flung as Cuba, India, Japan, New Zealand, and Nigeria. Both fun and thought-provoking, Zombie Cinema will give readers a new perspective on our ravenous hunger for the living dead.
It’s official: the zombie apocalypse is here. The living dead have been lurking in popular culture since the 1930s, but they have never been as ubiquitous or as widely-embraced as they are today.
Zombie Cinema is a lively and accessible introduction to this massively popular genre. Presenting a historical overview of zombie appearances in cinema and on television, Ian Olney also considers why, more than any other horror movie monster, zombies have captured the imagination of twenty-first-century audiences.
Surveying the landmarks of zombie film and TV, from White Zombie to The Walking Dead, the book also offers unique insight into why zombies have gone global, spreading well beyond the borders of American and European cinema to turn up in films from countries as far-flung as Cuba, India, Japan, New Zealand, and Nigeria. Both fun and thought-provoking, Zombie Cinema will give readers a new perspective on our ravenous hunger for the living dead.
IAN OLNEY is an associate professor of English at York College of Pennsylvania in York. He is the author of Euro Horror: Classic European Horror Cinema in Contemporary American Culture.
Acknowledgments
Introduction: Our Zombies, Ourselves
1 Black Mask, White Zombies
2 Consumer Culture
3 Boy Eats Girl
Conclusion: Homebodies
Further Reading
Works Cited
Index
| Erscheinungsdatum | 12.03.2017 |
|---|---|
| Verlagsort | New Brunswick NJ |
| Sprache | englisch |
| Maße | 114 x 178 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sachbuch/Ratgeber | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften ► Kommunikation / Medien | |
| ISBN-10 | 0-8135-8946-0 / 0813589460 |
| ISBN-13 | 978-0-8135-8946-6 / 9780813589466 |
| Zustand | Neuware |
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