Blick ins Buch

Beyond Immersive Theatre

Aesthetics, Politics and Productive Participation

Adam Alston (Autor)

Buch | Hardcover

241 Seiten

2016 | 1st ed. 2016
Palgrave Macmillan (Verlag)
978-1-137-48043-9 (ISBN)

Lese- und Medienproben

Blick ins Buch (midvox)

Titel ist leider vergriffen;
keine Neuauflage

Artikel merken

Immersive theatre currently enjoys ubiquity, popularity and recognition in theatre journalism and scholarship. However, the politics of immersive theatre aesthetics still lacks a substantial critique. Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
Beyond Immersive Theatre contextualises these questions by tracing the evolution of neoliberal politics and the experience economy over the past four decades. Through detailed critical analyses of work by Ray Lee, Lundahl & Seitl, Punchdrunk, shunt, Theatre Delicatessen and Half Cut, Adam Alston argues that there is a tacit politics to immersive theatre aesthetics – a tacit politics that is illuminated by neoliberalism, and that is ripe to be challenged by the evolution and diversification of immersive theatre.

Adam Alston is Lecturer in Theatre and Performance Studies at the University of Surrey, UK. His research explores immersive theatre, theatre in the dark, and a range of themes in contemporary theatre including secrecy, labour and error. He is a contributing editor to Contemporary Theatre Review’s Interventions and a Creative Associate with Curious Directive.

Introduction.- 1.Theatre in a Box: Affect and Narcissism in Ray Lee’s Cold Storage.- 2.Theatre in the Dark: Spectatorship and Risk in Lundahl & Seitl’s Pitch-black Theatre.- 3.Theatre through the Fireplace: Punchdrunk and the Neoliberal Ethos.- 4.Frustrating Theatre: Shunt in the Experience Economy.- 5.Theatre in the Marketplace: Immaterial Production in Theatre Delicatessen’s Theatre Souks.- Conclusion.

Erscheinungsdatum	05.02.2016
Zusatzinfo	7 Illustrations, black and white; XIII, 241 p. 7 illus.
Verlagsort	Basingstoke
Sprache	englisch
Maße	148 x 210 mm
Gewicht	462 g
Themenwelt	Kunst / Musik / Theater ► Theater / Ballett
Themenwelt	Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport
Schlagworte	audience participation • experimentation • Half Cut • Immersion • narcissistic participation • Neoliberalism • Performance • productivism • Punchdrunk • Shunt • Theatre Delicatessen
ISBN-10	1-137-48043-2 / 1137480432
ISBN-13	978-1-137-48043-9 / 9781137480439
Zustand	Neuware