Crime Scene Photography (eBook)
720 Seiten
Elsevier Science (Verlag)
978-0-12-386530-4 (ISBN)
The book begins by tracing the history of crime scene photography. It explains the cardinal rules of crime scene photography; the photographic variables related to exposure; and the three basic types of crime/accident scene photographs: overalls, midranges, and close-ups. This is followed by discussions on the use of digital imaging technologies and the legal issues related to photography. Each chapter begins with an outline of Learning Objective and Key Terms that will be used for the remainder of the text. Within the text are tips and rules-of-thumb that highlight important aspects of the chapter. The chapters conclude with a succinct Summary, Discussion Questions, Practical Exercises, and a comprehensive list of Further Readings.
This textbook is designed for photography students in an academic setting and practitioners working within various law enforcement agencies.
* Over 600 full color photographs, also electronically available on the companion website * Two new chapters on 'The History of Forensic Photography,' and 'Digital Image Processing of Evidentiary Photography' * Includes an Instructor website with lecture slides, practical exercises, a test bank and image collection * An essential reference for crime scene photography, including topics such as Composition, the Inverse Square Law, Court Cases affecting photography, Digital Image Processing, and Photogrammetry * Required reading by the Crime Scene Certification Board of the International Association for Identification (IAI) for all levels of certification
Edward M. Robinson began his career in law enforcement in 1971, with the Arlington County (Virginia) Police Department (ACPD). After 25 years with the ACPD, Mr. Robinson created the Crime Scene Investigation concentration at The George Washington University for their Master of Forensic Science degree program, and continues there today.
Crime Scene Photography, Second Edition, offers an introduction to the basic concepts of forensic picture-taking. The forensic photographer, or more specifically the crime scene photographer, must know how to create an acceptable image that is capable of withstanding challenges in court. The photographic theory and principles have to be well grounded in the physics of optics, the how-to recommendations have to work, and the end result must be admissible in court. Based on the author's years of experience in the field at both the Arlington County and Baltimore County Police Departments, this book blends the practical functions of crime scene processing with theories of photography to guide the student in acquiring the skills, knowledge, and ability to render reliable evidence. This text has been carefully constructed for ease of use and effectiveness in training and was class-tested by the author at George Washington University. Beginning August 2008, this book will be required reading by the IAI Crime Scene Certification Board for all levels of certification (through August 2011). Over 600 full color photographs Two new chapters on 'The History of Forensic Photography,' and 'Digital Image Processing of Evidentiary Photography' An essential reference for crime scene photography, including topics such as Composition, the Inverse Square Law, Court Cases affecting photography, Digital Image Processing, and Photogrammetry Required reading by the Crime Scene Certification Board of the International Association for Identification (IAI) for all levels of certification
Erscheint lt. Verlag | 5.2.2010 |
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Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Fotokunst |
Sachbuch/Ratgeber ► Freizeit / Hobby ► Fotografieren / Filmen | |
Recht / Steuern ► EU / Internationales Recht | |
Recht / Steuern ► Strafrecht ► Kriminologie | |
ISBN-10 | 0-12-386530-1 / 0123865301 |
ISBN-13 | 978-0-12-386530-4 / 9780123865304 |
Haben Sie eine Frage zum Produkt? |
Größe: 247,7 MB
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