Shaping Society through Dance
Mestizo Ritual Performance in the Peruvian Andes
Seiten
2000
University of Chicago Press (Verlag)
978-0-226-52008-7 (ISBN)
University of Chicago Press (Verlag)
978-0-226-52008-7 (ISBN)
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During the patron saint fiesta in the town of San Jeronimo, Peru, crowds gather at sunset awaiting the entrance of the colourful dance troupes, or comparsas. The comparsas have become a powerful way for the local people to make sense of their place in the world. This text looks at this tradition.
During the patron saint fiesta in the Andean town of San Jeronimo, Peru, crowds gather at sunset in the town square, eagerly awaiting the entrance of the colourful dance troupes, or "comparsas". With their masks, music and surprising interpretations of contemporary events, the "comparsas" of the Cusco region are the focus of this multifaceted work. At the crossroads of folklore and ritual, mass media and local preferences, and regional and national identity, the "comparsas" -recorded here on video and compact disc - have become a powerful way for the local people to make sense of their place in Peru and in the world. As Zoila Mendoza shows, they do more than reflect societal changes, they actively transform society. In this fluid world, she argues, racial and ethnic identities are shaped more by notions of what is decent, elegant and modern rather than by skin colour or status. As the different troupes vie for the townspeople's recognition as the most "authentic" group, these notions are challenged and reworked. A fascinating look at a rich tradition, this innovative work is also a compelling example of the critical anthropology of performance.
During the patron saint fiesta in the Andean town of San Jeronimo, Peru, crowds gather at sunset in the town square, eagerly awaiting the entrance of the colourful dance troupes, or "comparsas". With their masks, music and surprising interpretations of contemporary events, the "comparsas" of the Cusco region are the focus of this multifaceted work. At the crossroads of folklore and ritual, mass media and local preferences, and regional and national identity, the "comparsas" -recorded here on video and compact disc - have become a powerful way for the local people to make sense of their place in Peru and in the world. As Zoila Mendoza shows, they do more than reflect societal changes, they actively transform society. In this fluid world, she argues, racial and ethnic identities are shaped more by notions of what is decent, elegant and modern rather than by skin colour or status. As the different troupes vie for the townspeople's recognition as the most "authentic" group, these notions are challenged and reworked. A fascinating look at a rich tradition, this innovative work is also a compelling example of the critical anthropology of performance.
Zoila S. Mendoza, an anthropologist and native of Peru, is assistant professor of Native American Studies at the University of California, Davis.
| Erscheint lt. Verlag | 1.8.2000 |
|---|---|
| Reihe/Serie | Chicago Studies in Ethnomusicology CSE |
| Sprache | englisch |
| Maße | 16 x 24 mm |
| Gewicht | 567 g |
| Themenwelt | Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport |
| Sozialwissenschaften ► Ethnologie ► Volkskunde | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 0-226-52008-0 / 0226520080 |
| ISBN-13 | 978-0-226-52008-7 / 9780226520087 |
| Zustand | Neuware |
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