The Emergence of the Antique and Curiosity Dealer in Britain 1815-1850
The Commodification of Historical Objects
Seiten
2020
Routledge (Verlag)
978-1-4094-0579-5 (ISBN)
Routledge (Verlag)
978-1-4094-0579-5 (ISBN)
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Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815-1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenth-century antique and curiosity markets.
Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815–1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets.
Set against the recent ‘art market turn’ in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.1803–1887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects.
This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.
Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815–1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets.
Set against the recent ‘art market turn’ in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.1803–1887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects.
This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.
Mark Westgarth is Associate Professor in Art History & Museum Studies at the University of Leeds, UK.
INTRODUCTION
PART ONE: The Spaces of the Discourse
Writing the art market, marginalia to mainstream
Writing the dealer, footnote to fulcrum
The Idea of the Dealer
PART TWO: The Emergence of Historical Consciousness
The Consumption of the Past
Specimens of Ancient Furniture: the emergence of the historical object
PART THREE: The Emergence of the Antique & Curiosity Dealer
John Coleman Isaac (c.1803-1887)
The Market for Antiques and Curiosities 1815-1850
Antique and Curiosity Dealing
PART FOUR: The Spaces of Consumption
The Antique & Curiosity Shop
Dealers and Auctions
Dealers and Exhibitions
EPILOGUE
| Erscheinungsdatum | 28.04.2020 |
|---|---|
| Reihe/Serie | The Histories of Material Culture and Collecting, 1700-1950 |
| Zusatzinfo | 36 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 174 x 246 mm |
| Gewicht | 520 g |
| Themenwelt | Kunst / Musik / Theater ► Antiquitäten |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Reisen ► Reiseführer | |
| ISBN-10 | 1-4094-0579-6 / 1409405796 |
| ISBN-13 | 978-1-4094-0579-5 / 9781409405795 |
| Zustand | Neuware |
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Buch | Hardcover (2021)
Battenberg (Verlag)
CHF 45,90
