The American Wall

From the Pacific Ocean to the Gulf of Mexico

Buch | Hardcover

2011
University of Texas Press (Verlag)
978-0-292-72697-0 (ISBN)

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This deluxe edition--two beautifully produced volumes in a slip case--presents dramatic photographs and eloquent trilingual testimonies that recount the environmental, social, and economic costs of trying to wall off Mexico from the United States.

Since mid-2006, Maurice Sherif has been photographing segments of the U.S.-Mexico border wall from the American side and questioning how the United States--which sees itself as a cham--pion of law, democracy, and human rights--came to engage in such a project. In his words, "The wall is an egregious violation of human rights and a political act with global ramifications for the United States. It is not only a physical symbol, but also a legal example of a national trend toward exceptionalism and exclusion." The American Wall is a photographic record of the wall segments at midday. The photographs, taken in the searing heat of the desert, are stark. They reveal the tactile harshness of the metal structure and the emptiness of its surroundings. The wall repels human ac--tivity, and its construction has made barren the surrounding land--scape, once rich in biodiversity. In perhaps the final irony of this photographic documentation, the heat of the borderlands melted the film, framing many of the images in random tatters.
The lack of comprehensive planning for this wall has included a failure to consider the long-term environmental, social, and eco--nomic costs of altering the border with a physical barrier. According to Sherif and his fellow contributors, while some people to the north will entertain the illusion of separation from those feared as outsid--ers or enemies, the wall fails in its stated purpose of enhancing the safety and security of the people and place it is purported to protect. Those south of the border wall will continue to risk their lives in hopes of finding better opportunities on the other side.

MAURICE SHERIF is a fine art photographer who characterizes his recent work as "social documentary." Using photography to oppose injustice, he sees his role as that of a social observer, who through his work comments on the world around him. His published works include Lueur des Tenebres (Last Glow before Darkness), a portfolio of ten signed dust-grain photogravures of the glaciers of Patagonia, and Lumiere Metallique (Metallic Light), a book of tritone photographs.

Presents one hundred dramatic photographs of the wall, using the printing technique known as quadratone Book Two includes thought-provoking essays by these authorities on border issues: CHARLES BOWDEN, journalist and author of Murder City: Ciudad Juarez and the Global Economy's New Killing Fields and Dreamland: The Way Out of Juarez (with Alice Leora Briggs) PROFESSOR MIGUEL DIAZ-BARRIGA (Swarthmore College) and DR.MARGARET E.DORSEY (Indiana University), anthropologists PROFESSOR SCOTT NICOL (South Texas College), artist and spokesperson for No Border Wall PROFESSOR DENISE GILMAN (University of Texas Law School), a specialist in immigration law JAMES TRYON, M.D. MARTHA DAVIDSON, independent researcher and writer for the National Civil Rights Museum and the Smithsonian Institution All essays are in English, Spanish, and French. A specially commissioned map shows the wall's deviations from the geopolitical border.

Erscheint lt. Verlag	15.12.2011
Zusatzinfo	100 quadratone photos
Verlagsort	Austin, TX
Sprache	englisch; spanisch
Maße	318 x 381 mm
Themenwelt	Kunst / Musik / Theater ► Fotokunst
Themenwelt	Reisen ► Bildbände ► Nord- / Mittelamerika
ISBN-10	0-292-72697-X / 029272697X
ISBN-13	978-0-292-72697-0 / 9780292726970
Zustand	Neuware