Celluloid Mischief
Deviance and Crime on the Silver Screen
Seiten
2023
Routledge (Verlag)
978-1-032-34139-2 (ISBN)
Routledge (Verlag)
978-1-032-34139-2 (ISBN)
Celluloid Mischief examines the portrayal of wrongdoing and 'deviant' behavior in postwar and contemporary Hollywood cinema.
Celluloid Mischief examines the portrayal of wrongdoing and “deviant” behavior in film. The premise is that films are material products of both individual and collective imagination that reflect the values and norms of the society that produce them. On this basis, it is possible to perceive how society understands and classifies particular kinds of behavior and assigns or designates classes of people and actions as “good” or “bad.” So-called “wrongdoing” in movies, then, tells us about real-life norms, the violation of those norms, and the efforts to punish and control the perpetrators of those violators.
Motion pictures embody information about the social world; they constitute a universe of raw particulars that await excavation and analysis. By applying the appropriate approach, what happens on the screen can guide us to an understanding of society and culture. Films are commercial products; the people who make them are members of a society, influenced by that society, who attempt to appeal to lots of other members of that society by producing something that they want to see. A society's films tell us a great deal about the taste and proclivities of the society that produce and consume them. Using postwar and contemporary Hollywood cinema as case studies, this book demonstrates the complex and evolving nature of modern America's social, economic, and political values.
Celluloid Mischief examines the portrayal of wrongdoing and “deviant” behavior in film. The premise is that films are material products of both individual and collective imagination that reflect the values and norms of the society that produce them. On this basis, it is possible to perceive how society understands and classifies particular kinds of behavior and assigns or designates classes of people and actions as “good” or “bad.” So-called “wrongdoing” in movies, then, tells us about real-life norms, the violation of those norms, and the efforts to punish and control the perpetrators of those violators.
Motion pictures embody information about the social world; they constitute a universe of raw particulars that await excavation and analysis. By applying the appropriate approach, what happens on the screen can guide us to an understanding of society and culture. Films are commercial products; the people who make them are members of a society, influenced by that society, who attempt to appeal to lots of other members of that society by producing something that they want to see. A society's films tell us a great deal about the taste and proclivities of the society that produce and consume them. Using postwar and contemporary Hollywood cinema as case studies, this book demonstrates the complex and evolving nature of modern America's social, economic, and political values.
Erich Goode is Sociology Professor Emeritus at Stony Brook University. He has taught at a half-dozen universities and is the author of 12 books, including Deviant Behavior (now in its 13th edition) and Drugs in American Society. Goode has received a Guggenheim Fellowship and several teaching awards. He lives in New York City.
Preface Acknowledgments 1. Setting the Scene 2. Cinematic Deviance 3. Poverty and the Indignity of Social Class 4. Crime 5. White-collar Crime 6. Political Crimes and Malfeasances 7. Drug Use, Abuse, and Addiction 8. Sexual Wrongdoing 9. The Arc of Gay Sex 10. Mental Disorder 11. Race and Racism A Note on Fair Use References
| Erscheinungsdatum | 17.07.2023 |
|---|---|
| Zusatzinfo | 20 Halftones, black and white; 20 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 766 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Geschichte | |
| Recht / Steuern ► Strafrecht ► Kriminologie | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 1-032-34139-4 / 1032341394 |
| ISBN-13 | 978-1-032-34139-2 / 9781032341392 |
| Zustand | Neuware |
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Buch | Softcover (2023)
UTB (Verlag)
CHF 27,85
