Music for Sight Singing

Nancy Rogers, Robert Ottman (Autoren)

Buch | Spiralbindung

464 Seiten

2018 | 10th edition
Pearson (Verlag)
978-0-13-447545-5 (ISBN)

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For courses in sight singing and music theory. The most celebrated, engaging, and musical sight-singing text on the market A freshly updated edition of the classic musical textbook, Music for Sight Singing, 10th Edition, is structured around organized melodies, drawn from the literature of composed music and a wide range of the world’s folk music. Real music exercises allow readers to practice sight singing and develop their “mind’s ear,” the ability to imagine how music sounds without first playing it on an instrument. The new edition includes even more melodies and several new topics; improved introductions to minor keys, pre-dominant leaps, and chromaticism; and increased use of bass and C clefs — while retaining the simple-to-complex arrangement that lays the foundation for success.

About our authors Nancy Rogers is an Associate Professor of Music Theory at Florida State University. With research interests including music cognition and its pedagogical implications, Dr. Rogers has presented papers at national and international conferences, including meetings of the Society for Music Theory, the Society for Music Perception and Cognition, the International Conference on Music Perception and Cognition, and the Conference on Interdisciplinary Musicology. She was a keynote speaker at the 2009 Musical Ear conference held at Indiana University. Several of her recent publications may be found in Music Theory Online, the Journal of Music Theory Pedagogy and Em Pauta. Professor Rogers received her PhD in music theory from the Eastman School of Music; she is also a Mellon Fellow in the Humanities. She has served as President of Music Theory Southeast, Secretary of the Society for Music Theory and Treasurer of Music Theory Midwest. Before coming to Florida State University, she served on the faculties of Northwestern University, the University of Iowa and Lawrence University.

Brief Contents

PART I MELODY: DIATONIC INTERVALS RHYTHM: DIVISION OF THE BEAT

RHYTHM: Simple Meters; The Beat and Its Division into Two Parts
MELODY: Stepwise Melodies, Major Keys
RHYTHM: Simple Meters; The Beat and Its Division into Two Parts
MELODY: Leaps within the Tonic Triad, Major Keys
RHYTHM: Simple Meters
MELODY: Leaps within the Tonic Triad, Major Keys
RHYTHM: Compound Meters; The Beat and Its Division into Three Parts
MELODY: Minor Keys; Leaps within the Tonic Triad
RHYTHM: Simple and Compound Meters
MELODY: Leaps within the Dominant Triad (V); Major and Minor Keys
RHYTHM: Simple and Compound Meters
THE C CLEFS: Alto and Tenor Clefs
MELODY: Further Use of Diatonic Leaps
RHYTHM: Simple and Compound Meters
MELODY: Leaps within the Dominant Seventh Chord (V7); Other Diatonic Seventh Leaps
RHYTHM: Simple and Compound Meters

PART II MELODY: DIATONIC INTERVALS RHYTHM: SUBDIVISION OF THE BEAT

RHYTHM: The Subdivision of the Beat: The Simple Beat into Four Parts, The Compound Beat into Six Parts
MELODY: Leaps within the Tonic and Dominant Triads
RHYTHM: Subdivision in Simple and Compound Meters
MELODY: Further Use of Diatonic Leaps
RHYTHM: Subdivision in Simple and Compound Meters

PART III MELODY: CHROMATICISM RHYTHM: FURTHER RHYTHMIC PRACTICES

RHYTHM and MELODY: Syncopation
RHYTHM and MELODY: Triplet Division of Undotted Note Values; Duplet Division of Dotted Note Values
MELODY: Chromaticism (I): Chromatic Embellishing Tones; Tonicizing the Dominant; Modulation to the Key of the Dominant or the Relative Major
MELODY: Chromaticism (II): Tonicization of Any Diatonic Triad; Modulation to Any Closely Related Key
RHYTHM and MELODY: Changing Meter Signatures; The Hemiola; Less Common Meter Signatures
RHYTHM and MELODY: Further Subdivision of the Beat; Notation in Slow Tempi
MELODY: Chromaticism (III): Additional Uses of Chromatic Tones; Remote Modulation

PART IV THE DIATONIC MODES AND RECENT MUSIC

MELODY: The Diatonic Modes
RHYTHM and MELODY: The Twentieth and Twenty-First Centuries

APPENDIX A: RHYTHM SOLMIZATION APPENDIX B: PITCH SOLMIZATION APPENDIX C: MUSICAL TERMS

Erscheinungsdatum	22.09.2018
Sprache	englisch
Maße	100 x 100 mm
Gewicht	100 g
Themenwelt	Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre
Themenwelt	Recht / Steuern ► EU / Internationales Recht
ISBN-10	0-13-447545-3 / 0134475453
ISBN-13	978-0-13-447545-5 / 9780134475455
Zustand	Neuware