Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Acoustics in Nineteenth-Century Literature and Science - Melissa Dickson

Acoustics in Nineteenth-Century Literature and Science

Listening at the Threshold

(Autor)

Buch | Hardcover
283 Seiten
2024
Cambridge University Press (Verlag)
978-1-009-49045-0 (ISBN)
CHF 157,10 inkl. MwSt
  • Noch nicht erschienen (ca. Januar 2025)
  • Versandkostenfrei
  • Auch auf Rechnung
  • Artikel merken
Focusing on moments of exchange between acoustic theories and evolving practices in fiction, medicine, psychiatry, psychology, philosophy, animal studies, and religion, this study ranges from Eliot's Middlemarch to Du Maurier's Trilby to demonstrate how the boundaries of the human were challenged by new sound technologies in the Victorian period.
What did it mean to hear, for the first time, what George Eliot described as 'that roar which lies on the other side of silence'? Rapid developments in nineteenth-century acoustic science and communications technologies opened up new worlds beyond the limits of normal audibility for the Victorian public. Weaving together explorations of scientific developments with imaginative cultural, spiritual, and literary responses, this book sets out to explore the burgeoning field of acoustics in the nineteenth century and the new language, structure, and conceptual models it offered to broker the boundaries of the individual self. Ranging from Eliot's Middlemarch to Du Maurier's Trilby, and from Laënnec's work on the stethoscope to experiments on animal audition, inquiries into the unconscious, and spiritualist investigations of the hidden world of vibrations, it demonstrates the profound challenge to the boundaries of the human that was issued by new sound technologies in the Victorian period.

Melissa Dickson is Senior Lecturer in Literature at the University of Queensland, Australia. She is the author of Cultural Encounters with the Arabian Nights in Nineteenth-Century Britain (2019) and a co-author of Anxious Times: Medicine and Modernity in Nineteenth-Century Britain (2019).

Introduction: whispers in the roar; Part I: 1. Accessing the sounds of the body; 2. Stethoscopic fantasies; 3. Middlemarch and the art of stethoscopic listening; Part II: 4. At the limits of audibility; 5. Animal music; Part III: 6. Sounds of the séance; 7. Played upon or player? Musical mediums and creative inspiration; 8. Dickens among the spiritualists; Part IV: 9. Mesmeric soundscapes; 10. 'The Individual Operated Upon': powers of mind and music in George Du Maurier's Trilby.

Erscheint lt. Verlag 31.1.2025
Reihe/Serie Cambridge Studies in Nineteenth-Century Literature and Culture
Zusatzinfo Worked examples or Exercises
Verlagsort Cambridge
Sprache englisch
Themenwelt Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Naturwissenschaften
ISBN-10 1-009-49045-1 / 1009490451
ISBN-13 978-1-009-49045-0 / 9781009490450
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
Poetik eines sozialen Urteils

von Nora Weinelt

Buch | Hardcover (2023)
De Gruyter (Verlag)
CHF 83,90

von Jane Austen; John Mullan

Buch | Softcover (2022)
Oxford University Press (Verlag)
CHF 9,90