Arts, Ecologies, Transitions
Routledge (Verlag)
978-1-032-59614-3 (ISBN)
Arts, Ecologies, Transitions provides in-depth insights into how aesthetic relations and current artistic practices are fundamentally ecological and intrinsically connected to the world. As art is created in a given historic temporality, it presents specific modalities of productive and sensory relations to the world.
With contributions from 49 researchers, this book tracks evolutions in the arts that demonstrate an awareness of the environmental, economic, social, and political crises. It proposes interdisciplinary approaches to art that clarify the multiple relationships between art and ecology through an exploration of key concepts such as collapsonauts, degrowth, place, recycling, and walking art. All the artistic fields are addressed from the visual arts, theatre, dance, music and sound art, cinema, and photography – including those that are rarely represented in research such as digital creation or graphic design – to showcase the diversity of artistic practices in transition.
Through original research this book presents ideas in an accessible format and will be of interest to students and researchers in the fields of environmental studies, ecology, geography, cultural studies, architecture, performance studies, visual arts, cinema, music, and literature studies.
Roberto Barbanti is Emeritus Professor in the Department of Visual Arts at Université Paris 8 and a member of the Arts des images et art contemporain research unit. He co-founded and co-edited the journal Sonorités (2006–2017) and is an advisory board member for the publisher Eterotopia France. His research areas cover ecosophy, sound ecology, and contemporary art. His publications include: Les limites du vivant (co-edited with Lorraine Verner, 2016), Dall’immaginario all’acustinario. Prolegomeni a un’ecosofia sonora (2020), and Les sonorités du monde. De l’écologie sonore à l’écosophie sonore (2023). Isabelle Ginot is Professor of Dance Studies at Université Paris 8 and co-founder of the association Association d’individus en mouvements engagés. Her two main areas of research intersect with issues of vulnerability and difference in dance. The first addresses dance performance analysis and criticism, and focuses on artists with disabilities who perform on stage. The second analyses practices, especially practices (workshops, performances, participatory art) with "non-dancers" who have disabilities, are ageing, or are affected by social discrimination and exclusion. From 2010 to 2019, she chaired the research group Soma&Po, developing research and practices on the political and social uses of somatic practices. Currently, she runs a practice-based seminar entitled "Mouvements engagés" (Engaged moves), a peer-led workshop that shares dance practices in French care institutions. Lastly, she investigates alternative formats for academic research, involving the participation of artists, activists, and non-scholar actors. Makis Solomos was born in Greece and lives in France. He is Professor of Musicology at Université Paris 8 and Director of the research unit MUSIDANSE. He has published many books and articles about new music. His main areas of research are the focus on sound, the notion of musical space, new musical technics and technologies, the mutations of listening, and the ecology of sound. His book From Music to Sound: The Emergence of Sound in 20th- and 21st-Century Music (Routledge, 2019) deals with an important change in today’s music. His latest book Towards an Ecology of Sound: Environmental, Mental and Social Ecologies in Music, Sound Art and Artivisms (Routledge, 2023) addresses an expanded notion of ecology, mixing environmental issues and socio-political questions. He is also one of the main Xenakis specialists, to whom he has devoted many publications. For Xenakis’s centenary (2022), he co-organized the "Xenakis22: Centenary International Symposium" and he is the editor of Révolutions Xenakis (Éditions de l’Œil – Philharmonie de Paris, 2022). Cécile Sorin is currently Professor in the Department of Cinema at Université Paris 8. After having published books on practices of parody and pastiche in cinema (Pratiques de la parodie et du pastiche au cinéma, 2010) and Pasolinian pastiche (Pasolini, pastiche et mélange, 2017), she is currently examining processes of subjectivation in Pasolinian cinema and contemporary French cinema. Her recent work reassesses Pasolini’s work through the prism of ecopoetics. In addition, she is co-editor of the "Esthétiques hors cadre" series from Presses Universitaires de Vincennes.
Preface
Roberto Barbanti, Isabelle Ginot, Makis Solomos and Cecile Sorin
Introduction
Roberto Barbanti, Isabelle Ginot, Makis Solomos and Cecile Sorin
1. Acoustic Ecology
Kostas Paparrigopoulos
2. Aesthetic Subjectivation
Roberto Barbanti
3. Aisthesis
Carmen Pardo Salgado
4. Alienation
Eric Lecerf
5. Animal
Baptiste Morizot
6. Anthropocene and Aesthetics (The)
Matthieu Duperrex
7. Architecture
Philippe Chiambaretta
8. Art and Milieu (Works of)
Yann Aucompte
9. Art in Common
Estelle Zhong Mengual
10. Biodiversity: An Aesthetic Emergency
Joanne Clavel
11. Cinema
Damien Marguet
12. Co-creation: Collective, Participatory, and Immersive Art
Alice Gervais-Ragu
13. Collapsonauts
Yves Citton and Jacopo Rasmi
14. Contemporary Dance
Joanne Clavel
15. Decoloniality
Nathalie Coutelet
16. Degrowth
Kostas Paparrigopoulos and Makis Solomos
17. Digital Creation
Anne-Laure George-Molland and Jean-Francois Jego
18. Documentary Arts
Soko Phay
19. Ecocriticism and Ecocinema
Cecile Sorin
20. Ecofeminism
Frederick Duhautpas
21. Ecofeminist Territories
Tiziana Villani
22. Ecosomatics
Marie Bardet, Joanne Clavel and Isabelle Ginot
23. Garden (The)
Gilles Clement
24. Geography and Aesthetic Production of Ecological Issues
Joanne Clavel, Clara Breteau and Nathalie Blanc
25. Graphic Design
Yann Aucompte
26. I for Iconoemic
Giusy Checola
27. Landscapes, Territory, and Urbanism
Alberto Magnaghi
28. Learning and Experience
Anastasya Chernigina and Antoine Freychet
29. Literature and the Commons
Remi Astruc and Thierry Tremblay
30. Literature(s)
Aline Berge
31. Memory and Choreographic Works
Isabelle Launay
32. Music
Carmen Pardo Salgado and Makis Solomos
33. Musical Performance and Wet Markets
Pavlos Antoniadis
34. Performance
Helene Singer
35. Pest Plants
Lorraine Verner
36. Photography
Michel Poivert
37. Place
Augustin Berque
38. Plastic Arts
Lorraine Verner
39. Recycling
Gala Hernandez Lopez
40. Site Specificity
Lorraine Verner
41. Socially-Engaged Art
Isabelle Ginot
42. Sound and Sound Milieus
Makis Solomos
43. Sound Art
Susana Jimenez Carmona, Carmer Pardo Salgado and Matthieu Saladin
44. Technology and Economy of Means
Agostino DiScipio
45. Territory
Ludovic Duhem
46. Theatre
Eliane Beaufils and Julie Sermon
47. Transitory Urbanism
Fabrice Rochelandet
48. Visual
Claire Fagnart
49. Walking Art
Antoine Freychet and Anastasia Chernigina
Bibliography
| Erscheinungsdatum | 01.03.2024 |
|---|---|
| Zusatzinfo | 1 Line drawings, black and white; 1 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 490 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Naturwissenschaften ► Geowissenschaften ► Geografie / Kartografie | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-032-59614-7 / 1032596147 |
| ISBN-13 | 978-1-032-59614-3 / 9781032596143 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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