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Ether and Modernity -

Ether and Modernity

The recalcitrance of an epistemic object in the early twentieth century

Jaume Navarro (Herausgeber)

Buch | Hardcover
264 Seiten
2018
Oxford University Press (Verlag)
978-0-19-879725-8 (ISBN)
CHF 119,95 inkl. MwSt
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How was ether, an epistemic object largely accepted in the 19th century, regarded in the early 20th century? An older generation of philosophers saw the end of the ether as a paradigmatic case of falsification in science; but far from being unproblematically rejected, the ether was for many one element of modern physics and modernist culture.
Ether and Modernity offers a snapshot of the status of an epistemic object, the "ether" (or "aether"), in the early twentieth century. The contributed papers show that the ether was often regarded as one of the objects of modernity, hand in hand with the electron, radioactivity or X-rays, and not simply as the stubborn residue of an old-fashioned, long-discarded science. The prestige and authority of scientists and popularisers like Oliver Lodge and Arthur Eddington in Britain, Phillip Lenard in Germany or Dayton C. Miller in the USA was instrumental in the preservation, defence or even re-emergence of the ether in the 1920s. Moreover, the consolidation of wireless communications and radio broadcasting, indeed a very modern technology, brought the ether into audiences that would otherwise never have heard about such an esoteric entity.

The ether also played a pivotal role among some artists in the early twentieth century: the values of modernism found in the complexities and contradictions of modern physics, such as wireless action or wave-particle puzzles, a fertile ground for the development of new artistic languages; in literature as much as in the pictorial and performing arts. Essays on the intellectual foundations of Umberto Boccioni's art, the linguistic techniques of Lodge, and Ernst Mach's considerations on aesthetics and physics witness to the imbricate relationship between the ether and modernism. Last but not least, the ether played a fundamental part in the resurgence of modern spiritualism in the aftermath of the Great War.

This book examines the complex array of meanings, strategies and milieus that enabled the ether to remain an active part in scientific and cultural debates well into the 1930s, but not beyond. This portrait may be easily regarded as the swan song of an epistemic object that was soon to fade away as shown by Paul Dirac's unsuccessful attempt to resuscitate some kind of aether in 1951, with which this book finishes.

Jaume Navarro is Ikerbasque Research Professor at the University of the Basque Country. Trained in Physics and in Philosophy he has developed a career in the History of Science in institutions like the University of Cambridge and the Max Planck Institute for the History of Science. He has written numerous research articles in the history of late-nineteenth- and early-twentieth physics.

1: Massimiliano Badino and Jaume Navarro: Introduction: Ether-The Multiple Lives of a Resilient Concept
2: Imogen Clarke: The Ether at the Crossroads of Classical and Modern Physics
3: Micharl H. Whitworth: Transformations of Knowledge in Oliver Lodge's Ether and Reality
4: Connemara Doran: Poincarés Mathematical Creations in Search of the 'True Relations of Things'
5: Scott A. Walter: Ether and Electrons in Relativity Theory (1900-11)
6: Richard Noakes: Making Space for the Soul: Oliver Lodge, Maxwellian Psychics and the Ethereal Body
7: Arne Schirrmacher Jaume Navarro: Lenards Ether and Its Vortex of Emotions: Between Accommodating and Fighting Modern Physics with Äther and Uräther in the German Political Context
8: Jaume Navarro: Ether and Wireless: An Old Medium into New Media
9: Roberto Lalli: Hunting for the Luminiferous Ether: The American Revival of the MichelsonMorley Experiment in the 1920s
11: Linda Dalrymple Henderson: Umberto Boccionis Elasticity, Italian Futurism and the Ether of Space
12: Aaron Sidney Wright: An Ether by Any Other Name? Paul Diracs Æther
Index
10: Richard Staley: Ether and Aesthetics in the Dialogue between Relativists and Their Critics in the Late Nineteenth and Early Twentieth Centuries

Erscheinungsdatum
Verlagsort Oxford
Sprache englisch
Maße 174 x 243 mm
Gewicht 654 g
Themenwelt Naturwissenschaften Physik / Astronomie Elektrodynamik
ISBN-10 0-19-879725-7 / 0198797257
ISBN-13 978-0-19-879725-8 / 9780198797258
Zustand Neuware
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