Pathology and Visual Culture
The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School
Seiten
2024
Pennsylvania State University Press (Verlag)
978-0-271-09680-3 (ISBN)
Pennsylvania State University Press (Verlag)
978-0-271-09680-3 (ISBN)
In this book, Natasha Ruiz-Gómez delves into an extraordinary collection of pathological drawings, photographs, sculptures, and casts created by neurologists at Paris’s Hôpital de la Salpêtrière in the nineteenth century. Led by Dr. Jean-Martin Charcot (1825–1893) and known collectively as the Salpêtrière School, these savants-artistes produced works that demonstrated an engagement with contemporary artistic discourses and the history of art, even as the artists/clinicians professed their dedication to absolute objectivity.
During his lifetime, Charcot became internationally famous for his studies of hysteria and hypnosis, establishing himself as a pioneer in modern neurology. However, this book brings to light the often-overlooked contributions of other clinicians, such as Dr. Paul Richer, who created “scientific artworks” that merged scientific objectivity with artistic intervention. Challenging conventional interpretations of visual media in medicine, Ruiz-Gómez analyzes how these images and objects documented symptoms and neuropathology while defying disciplinary categorization.
Grounded in extensive archival research, Pathology and Visual Culture targets an international audience of historians and students of art, visual culture, medicine, and the medical humanities. It will also captivate neurologists and anyone interested in fin-de-siècle French history and culture.
During his lifetime, Charcot became internationally famous for his studies of hysteria and hypnosis, establishing himself as a pioneer in modern neurology. However, this book brings to light the often-overlooked contributions of other clinicians, such as Dr. Paul Richer, who created “scientific artworks” that merged scientific objectivity with artistic intervention. Challenging conventional interpretations of visual media in medicine, Ruiz-Gómez analyzes how these images and objects documented symptoms and neuropathology while defying disciplinary categorization.
Grounded in extensive archival research, Pathology and Visual Culture targets an international audience of historians and students of art, visual culture, medicine, and the medical humanities. It will also captivate neurologists and anyone interested in fin-de-siècle French history and culture.
Natasha Ruiz-Gómez is Senior Lecturer in Art History in the School of Philosophical, Historical, and Interdisciplinary Studies at the University of Essex.
| Erscheinungsdatum | 11.04.2024 |
|---|---|
| Zusatzinfo | 12 Halftones, color; 78 Halftones, black and white |
| Verlagsort | University Park |
| Sprache | englisch |
| Maße | 203 x 254 mm |
| Gewicht | 1066 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Medizin / Pharmazie ► Allgemeines / Lexika | |
| Studium ► Querschnittsbereiche ► Geschichte / Ethik der Medizin | |
| ISBN-10 | 0-271-09680-2 / 0271096802 |
| ISBN-13 | 978-0-271-09680-3 / 9780271096803 |
| Zustand | Neuware |
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