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A History of Emotion in Western Music - Michael Spitzer

A History of Emotion in Western Music

A Thousand Years from Chant to Pop

(Autor)

Buch | Hardcover
456 Seiten
2020
Oxford University Press Inc (Verlag)
978-0-19-006175-3 (ISBN)
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This landmark book not only offers the first account of the history of emotion in Western music, with a broad sweep from Gregorian chant to Beyoncé, but also lays out an original theory for understanding musical emotion that centers the work of composers and performers.
When asked to describe what music means to them, most people talk about its power to express or elicit emotions. As a melody can produce a tear, tingle the spine, or energize athletes, music has a deep impact on how we experience and encounter the world. Because of the elusiveness of these musical emotions, however, little has been written about how music creates emotions and how musical emotion has changed its meaning for listeners across the last millennium.

In this sweeping landmark study, author Michael Spitzer provides the first history of musical emotion in the Western world, from Gregorian chant to Beyoncé. Combining intellectual history, music studies, philosophy, and cognitive psychology, A History of Emotion in Western Music introduces current approaches to the study of emotion and formulates an original theory of how musical emotion works. Diverging from psychological approaches that center listeners' self-reports or artificial experiments, Spitzer argues that musical emotions can be uncovered in the techniques and materials of composers and performers. Together with its extensive chronicle of the historical evolution of musical style and emotion, this book offers a rich union of theory and history.

Michael Spitzer is Professor of Music at the University of Liverpool, leading the department's work on Classical music. He is former Chair of the Editorial Board of Music Analysis and past President of the Society for Music Analysis. His many publications explore the interactions between music theory, philosophy, and psychology. He inaugurated the series of International Conferences on Music and Emotion at Durham in 2009 and co-organized the International Conference on the Analysis of Popular Music in Liverpool in 2013.

Introduction: Why Not?

Part I: The Theory
Chapter 1: Concepts
Chapter 2: Categories
Chapter 3: Compounds
Chapter 4: Histories

Part II: The Narrative
Before Emotion
Chapter 5: The Augustinian Ascent
The Age of Affective Realism
Chapter 6: Passions
Chapter 7: Sentiments
Chapter 8: Emotions
After Emotion
Chapter 9: Affects

Endnotes

Erscheinungsdatum
Zusatzinfo 106 music examples, 14 figures
Verlagsort New York
Sprache englisch
Maße 257 x 183 mm
Gewicht 1016 g
Themenwelt Kunst / Musik / Theater Musik Allgemeines / Lexika
Kunst / Musik / Theater Musik Musiktheorie / Musiklehre
Medizin / Pharmazie Physiotherapie / Ergotherapie Ergotherapie
ISBN-10 0-19-006175-8 / 0190061758
ISBN-13 978-0-19-006175-3 / 9780190061753
Zustand Neuware
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