Typeforms
A History
Seiten
2007
The British Library Publishing Division (Verlag)
978-0-7123-0971-4 (ISBN)
The British Library Publishing Division (Verlag)
978-0-7123-0971-4 (ISBN)
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A successor to "An Atlas of Typeforms", this title includes nearly 75 different types typography in their original metal forms. By including photographs of architectural and vernacular forms of lettering, it explores the correlation between the printed letterform and its parallel form in sculpture, engraving and other public spaces.
This book is the long-awaited successor to the classic "An Atlas of Typeforms", the great visually-led history of type which Alan Bartram and James Sutton produced in 1968.Much has changed in the last 40 years, not least the teaching of typography and the means by which it is created. Nearly 75 different types are shown in their original metal forms, just as they were in the "Atlas of Typeforms". But an entirely new feature is the author's attempt to place the types in their historical background. By including photographs of architectural and vernacular forms of lettering Alan Bartram explores the correlation (or lack thereof) between the printed letterform and its parallel form in sculpture, engraving and other public spaces.Today, with the individualistic free-for all of electronic type design and desk top publishing, the range of new type forms has exploaded and fragmented. It is true that the opportunities offered for graphic and type designers in the digital age are greater than ever before. But it is important that everyone who is excited by type today has some knowledge of its fascinating historical background.
This book is the long-awaited successor to the classic "An Atlas of Typeforms", the great visually-led history of type which Alan Bartram and James Sutton produced in 1968.Much has changed in the last 40 years, not least the teaching of typography and the means by which it is created. Nearly 75 different types are shown in their original metal forms, just as they were in the "Atlas of Typeforms". But an entirely new feature is the author's attempt to place the types in their historical background. By including photographs of architectural and vernacular forms of lettering Alan Bartram explores the correlation (or lack thereof) between the printed letterform and its parallel form in sculpture, engraving and other public spaces.Today, with the individualistic free-for all of electronic type design and desk top publishing, the range of new type forms has exploaded and fragmented. It is true that the opportunities offered for graphic and type designers in the digital age are greater than ever before. But it is important that everyone who is excited by type today has some knowledge of its fascinating historical background.
Alan Bartram has written many books on design including Five Hundred Years of Book Design (2001); Bauhaus, Modernism and the Illustrated Book (2004)and Futurist Typography and the Illustrated Book (2005), all published by the British Library.
| Erscheint lt. Verlag | 31.10.2007 |
|---|---|
| Zusatzinfo | 200 black and white illustrations |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 240 x 250 mm |
| Themenwelt | Kunst / Musik / Theater ► Design / Innenarchitektur / Mode |
| Schulbuch / Wörterbuch ► Lexikon / Chroniken | |
| Informatik ► Grafik / Design ► Desktop Publishing / Typographie | |
| ISBN-10 | 0-7123-0971-3 / 0712309713 |
| ISBN-13 | 978-0-7123-0971-4 / 9780712309714 |
| Zustand | Neuware |
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