Typography
Mimesis, Philosophy, Politics
Seiten
1989
Harvard University Press (Verlag)
978-0-674-91700-2 (ISBN)
Harvard University Press (Verlag)
978-0-674-91700-2 (ISBN)
- Titel ist leider vergriffen;
keine Neuauflage - Artikel merken
The relationships between philosophy and aesthetics and between philosophy and politics are especially pressing issues today. Published for the first time in English, this important collection reveals the scope and force of Lacoue-Labarthe’s reflections on mimesis, subjectivity, and representation in philosophical thought.
The relationships between philosophy and aesthetics and between philosophy and politics are especially pressing issues today. Those who explore these themes will applaud the publication—for the first time in English—of this important collection, one that reveals the scope and force of Philippe Lacoue-Labarthe’s reflections on mimesis, subjectivity, and representation in philosophical thought.
This coherent and rigorous body of work reflects the author’s complex and subtle treatment of mimesis in the history of philosophy from Plato to Heidegger. It contains close critical analyses of works by Plato, Diderot, Hölderlin, Reik, Girard, and Heidegger, and moves through topics such as music, autobiography, tragedy, and the problem of historical and political self-definition.
Because Lacoue-Labarthe deals with issues that cross disciplinary lines, his work will appeal to readers interested in philosophy as it relates to politics, history, and aesthetics, especially literature. By showing that the concept of mimesis is an integral part of philosophical reasoning, he provides a challenging approach to many of Heidegger’s ideas, and contributes to the poststructuralist (or postmodem) attempt to rethink the notions of reference and representation. This approach challenges readers to redefine their understanding of history and politics.
One of the most gifted and active of the younger French philosophers, Lacoue-Labarthe is a respected peer of Jacques Derrida, who has provided an extensive introduction to the book especially for American readers. Those who are familiar with Derrida’s writings will appreciate the opportunity to see his questions approached in an entirely different style by Lacoue-Labarthe, resulting in productive new insights.
The relationships between philosophy and aesthetics and between philosophy and politics are especially pressing issues today. Those who explore these themes will applaud the publication—for the first time in English—of this important collection, one that reveals the scope and force of Philippe Lacoue-Labarthe’s reflections on mimesis, subjectivity, and representation in philosophical thought.
This coherent and rigorous body of work reflects the author’s complex and subtle treatment of mimesis in the history of philosophy from Plato to Heidegger. It contains close critical analyses of works by Plato, Diderot, Hölderlin, Reik, Girard, and Heidegger, and moves through topics such as music, autobiography, tragedy, and the problem of historical and political self-definition.
Because Lacoue-Labarthe deals with issues that cross disciplinary lines, his work will appeal to readers interested in philosophy as it relates to politics, history, and aesthetics, especially literature. By showing that the concept of mimesis is an integral part of philosophical reasoning, he provides a challenging approach to many of Heidegger’s ideas, and contributes to the poststructuralist (or postmodem) attempt to rethink the notions of reference and representation. This approach challenges readers to redefine their understanding of history and politics.
One of the most gifted and active of the younger French philosophers, Lacoue-Labarthe is a respected peer of Jacques Derrida, who has provided an extensive introduction to the book especially for American readers. Those who are familiar with Derrida’s writings will appreciate the opportunity to see his questions approached in an entirely different style by Lacoue-Labarthe, resulting in productive new insights.
Philippe Lacoue-Labarthe teaches at the University of Strasbourg and the University of California, Berkeley. Christopher Fynsk teaches in the department of comparative literature and philosophy at the State University of New York, Binghamton.
| Erscheint lt. Verlag | 29.9.1989 |
|---|---|
| Einführung | Jacques Derrida |
| Verlagsort | Cambridge, Mass |
| Sprache | englisch |
| Gewicht | 590 g |
| Themenwelt | Kunst / Musik / Theater ► Design / Innenarchitektur / Mode |
| Informatik ► Grafik / Design ► Desktop Publishing / Typographie | |
| ISBN-10 | 0-674-91700-6 / 0674917006 |
| ISBN-13 | 978-0-674-91700-2 / 9780674917002 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
