Contemporary Chinese Graphic Design Practice
Bloomsbury Visual Arts (Verlag)
978-1-350-34228-6 (ISBN)
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Yun Wang traces the impact of cultural, economic and social conditions on China’s developing design industry in a period of rapid transformation, focusing on Beijing, Guangzhou and Shenzhen as industry centres. From the influence of the newly implemented reform and opening up policy in 1978, to membership of the World Trade Organization in 2001, and international events such as the 2008 Beijing Olympics, Wang maps the increased demand for design talent and the evolution of a creative industry. This book provides a critical and extensively researched narrative of how graphic design developed locally and regionally, through practice, in education and within the publishing landscape, and pays particular attention to the ways in which designers in different cities in the People’s Republic of China intersected with international networks.
Including material from interviews with over 50 designers and other stakeholders, archival research into graphic work, design journals and exhibition catalogues, and 100 illustrations and photographs throughout, this book provides an in-depth exploration of graphic design developments in recent decades. It also features personal and institutional accounts, in addition to the author’s unique insight and reflections on the growing design industry in contemporary China.
Yun Wang is Researcher at the China Design Museum, where she has worked since 2013 on projects including the Design as Enlightenment exhibition in the National Museum of China. She received her PhD from the V&A/RCA History of Design programme, UK, in 2020, and is an active editor, writer and translator for Zhuangshi, China’s pre-eminent journal for design. She also wrote a chapter in the edited volume, International Design Organizations (Bloomsbury, 2022).
Introduction: Journey to the West
1. Early Dawn: International Exchange in the 1980s
Introduction
Starting from 'Zero': The Emergence of Graphic Designers in Guangzhou and Shenzhen
Western Training, Chinese Soul: Reflections on Chinese Culture in Crossing-Cultural Communication
Conclusion
2. Graphic Design in China: Graphic Design Practice in the 1990s
Introduction
'Vigorous Spirit': Graphic Design Projects and Practice in the Shenzhen Special Economic Zone
The 'Anonymous' Designers behind the Department Store Shelves in the 1990s
Conclusion
3. Social Energy? Graphic Design Exploration in the 2000s
Introduction
'Breeze in China': The 2004 AGI Beijing Congress
Xin: The 2009 Icograda Beijing Congress
Graphic Design Experimentation: 'Social Energy', a School to Learn
Conclusion
Conclusion: Walking on Chopsticks
| Erscheint lt. Verlag | 20.2.2025 |
|---|---|
| Zusatzinfo | 100 bw illus 8pp colour plate section |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Design / Innenarchitektur / Mode |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Mathematik / Informatik ► Informatik ► Grafik / Design | |
| ISBN-10 | 1-350-34228-9 / 1350342289 |
| ISBN-13 | 978-1-350-34228-6 / 9781350342286 |
| Zustand | Neuware |
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