Koji Kondo's Super Mario Bros. Soundtrack
Bloomsbury Academic USA (Verlag)
978-1-62892-853-2 (ISBN)
What musical features are responsible for Kondo’s distinct “Mario sound”? How do the different themes underscore the vastness of Princess Peach’s Mushroom Kingdom? And in what ways do the game’s sound effects resonate with our physical experience of the world? These and other questions are explored within, through the lens of Kondo’s compositional philosophy—one that would influence an entire generation of video game composers. As Kondo himself stated, “we [at Nintendo] were trying to do something that had never been done before.” In this book, Schartmann shows his readers how Kondo and his team not just succeeded, but heralded in a new era of video games.
Andrew Schartmann holds degrees in music from McGill and Yale University. He is the author of Maestro Mario and the assistant editor of DSCH Journal.
Forward
Preface
Acknowledgements
INTRODUCTION
CONTEXTS
1-1 An Unlikely Hero is Born
1-2 Mario Grows Up
1-3 Kondo’s Compositional Philosophy
1-4 Kondo’s Instruments
MUSIC
2-1 Overworlds and Underworlds
2-2 The “Underwater” Waltz
2-3 Bowser’s “Castle” Theme & Other Endings
2-4 Sound Effects
CONCLUSION
Bibliography
Index
Erscheint lt. Verlag | 16.7.2015 |
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Reihe/Serie | 33 1/3 |
Verlagsort | New York |
Sprache | englisch |
Maße | 121 x 165 mm |
Gewicht | 163 g |
Themenwelt | Kunst / Musik / Theater ► Musik |
Informatik ► Software Entwicklung ► Spieleprogrammierung | |
Informatik ► Weitere Themen ► Computerspiele | |
ISBN-10 | 1-62892-853-0 / 1628928530 |
ISBN-13 | 978-1-62892-853-2 / 9781628928532 |
Zustand | Neuware |
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