Animated Performance
AVA Publishing SA (Verlag)
978-2-940373-81-9 (ISBN)
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"Animated Performance" guides you through the fascinating process of bringing animated characters to life. Throughout the book, Nancy Beiman demonstrates how animated characters need not be constrained by the limitations that restrict human actors and shows how species, weight and design affect character actions. You will also discover the many ways in which a character's movements will vary according to the emotional or narrative context of their situation. The many tips, examples and exercises will help you harness the flexibility of animation to portray an almost unlimited variety of characters and ensure that no two performances are ever alike. In addition, more than 200 illustrations show how animal and fantasy characters can live and move without losing their non-human qualities and interviews with Disney animators Art Babbitt, Frank Thomas, Ollie Johnston and Ellen Woodbury make this a unique insight into bringing a whole world of characters to life.
Nancy Beiman is a professor at the Sheridan Institute of Technology and Advanced Learning in Oakville, Canada. She has produced, directed, designed, storyboarded and animated for television commercials, specials, features, and new media projects. Her employers have included The Walt Disney Company, Warner Brothers Animation and Bill Melendez Productions. Nancy has been teaching at college level since 2000, and her first book, PREPARE TO BOARD! Creating Story and Characters for Animated Features and Shorts, has been adopted as a standard text by animation schools worldwide.
Foreword by Lynn Johnston. Preface: We're not in live action any more. Design for living: An introduction to thumbnails; Good actors: Designs that animate; An introduction to dialogue animation. Setting the stage: Character and story context: Don't just do something...; Within you, without you: Analysing the character; Character volume, size and movement. Is sex necessary?: Masculine and feminine character acting; The ages of man (and woman). Animal actors: Four legs good, two legs better? Creating animal characters; Flights of information: Animating winged characters; Portraying animal qualities in human characters; 'Look Ma, no hands!' Animating snakes, worms, and other crawlers. Fantastic performance!: Natural inspirations for the supernatural; Dual natures: Human/animal combinations; Floating worlds: The weightless actor. The performer as object: Moving the furniture: Bringing inanimate objects to life; Material girl: Fabric and cloth characters. Double timing: Animating character interactions: Staging and composition; Changing leads in multiple-character scenes; Potemkin villages: Crowd scenes and how to fake them. Character development over time: Character and story arcs. Inspiration and reference. Index. Acknowledgements.
Reihe/Serie | Required Reading Range |
---|---|
Zusatzinfo | 200 colour illustrations |
Verlagsort | Lausanne |
Sprache | englisch |
Gewicht | 1250 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Informatik ► Grafik / Design ► Film- / Video-Bearbeitung | |
ISBN-10 | 2-940373-81-7 / 2940373817 |
ISBN-13 | 978-2-940373-81-9 / 9782940373819 |
Zustand | Neuware |
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