The Annotated Capital
Seiten
2009
Cambridge University Press (Verlag)
978-0-521-19722-9 (ISBN)
Cambridge University Press (Verlag)
978-0-521-19722-9 (ISBN)
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The Cardozo Kindersley Workshop, thought by many to be the finest letter-cutting workshop in the UK, is an established part of Cambridge: almost all the colleges have Kindersley inscriptions. The Annotated Capital gives a rich insight into an art form that surrounds us all but of which many are unaware.
The Cardozo Kindersley Workshop, thought by many to be the finest letter-cutting workshop in the UK, was founded by the late David Kindersley in 1946. His widow Lida Cardozo carries on the practice of lettering that can be traced back through the giants of their tradition such as Eric Gill and Edward Johnston. The Workshop is an established part of Cambridge: almost all of the colleges have Kindersley inscriptions. The Annotated Capital gives a rich insight into an art form that surrounds us all but of which many are unaware. In seven chapters, illustrated with sketches from the Kindersley archive and photographs of completed letters cut in stone, this book tells the story of the basic Roman capital letterform. The eighth chapter contains no text but a series of 26 annotated capital letters showing how each character is drawn and cut, and the thinking behind it.
The Cardozo Kindersley Workshop, thought by many to be the finest letter-cutting workshop in the UK, was founded by the late David Kindersley in 1946. His widow Lida Cardozo carries on the practice of lettering that can be traced back through the giants of their tradition such as Eric Gill and Edward Johnston. The Workshop is an established part of Cambridge: almost all of the colleges have Kindersley inscriptions. The Annotated Capital gives a rich insight into an art form that surrounds us all but of which many are unaware. In seven chapters, illustrated with sketches from the Kindersley archive and photographs of completed letters cut in stone, this book tells the story of the basic Roman capital letterform. The eighth chapter contains no text but a series of 26 annotated capital letters showing how each character is drawn and cut, and the thinking behind it.
Lida Cardozo Kindersley is the widow, former apprentice and partner of David Kindersley. She joined his Workshop in 1976 as a young artist from Holland, and is now known as an accomplished letter cutter in her own right.
Foreword Fiona MacCarthy OBE; Acknowledgements; An introduction to alphabetics; 1. From Trajan's Column to today's capital; 2. Kindersley moves to Cambridge; 3. Development of Kindersley capitals; 4. Principles of drawing; 5. Notes on cutting; 6. Annotated alphabet plates; Cutting sequences of 'S' and 'full stop'; Terms of the trade and a note on stone.
| Zusatzinfo | 8 Halftones, unspecified; 7 Line drawings, unspecified |
|---|---|
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 200 x 200 mm |
| Gewicht | 500 g |
| Themenwelt | Kunst / Musik / Theater ► Design / Innenarchitektur / Mode |
| Informatik ► Grafik / Design ► Desktop Publishing / Typographie | |
| ISBN-10 | 0-521-19722-8 / 0521197228 |
| ISBN-13 | 978-0-521-19722-9 / 9780521197229 |
| Zustand | Neuware |
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