Thomas Middleton and Early Modern Textual Culture
Oxford University Press (Verlag)
978-0-19-818570-3 (ISBN)
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The rest of the volume, supplies the documentation for claims made in the first part. Part II, the author includes detailed evidence for the canon and chronology of Middletons works in all genres, greatly extending previous scholarship, and using the latest corpus-based attribution techniques. This section situates individual authorial agency in the space between larger institutional forces and the material specificity of particular textual embodiments. Part III, The Texts, contains a full editorial apparatus for each item in The Collected Works: an Introduction, which summarizes and extends previous scholarship, is followed by textual notes, recording substantive departures from the control-text, variants between early texts, press-variants, discussions of emendations, and (for plays) an exact transcription of all original stage directions.Cross-references make it easy to move between the two volumes.
This authoritative account of the early texts includes some extraordinarily complicated cases, which have never before been systematically collated: Hence, all you vain delights (the most popular song lyric from the Renaissance stage), The Two Gates of Salvation, The Peacemaker, and A Game at Chess (the most complex editorial problem in early modern drama, with eight extant texts and numerous reports of the early performances).
LIST OF ILLUSTRATIONS; "How to Use This Book"; "Preface: Textual Proximities"; PART I: THE CULTURE; "The Order of Persons"; "Early Modern Authorship: Canons and Chronologies"; "Thomas Middleton: Oral Culture and the Manuscript Economy"; "'From Wronger and Wronged Have I Fee': Thomas Middleton and Early Modern Legal Culture"; "Middleton, Music and Dance"; "Thomas Middleton, Uncut: Castration, Censorship, and the Regulation of Dramatic Discourse in Early Modern England"; "Casting Compositors, Foul Cases, and Skeletons: Printing in Middleton's Age"; "Visual Texts: Middleton and Prints"; "'Twill Much Enrich the Company of Stationers": Thomas Middleton and the London Book Trade, 1580-1627"; "Booksellers without an Author, 1627-1685"; "For Many of Your Companies: Middleton's Early Readers"; PART II: THE AUTHOR; "Introduction: The Middleton Canon"; "Works Included in This Edition: Canon and Chronology"; "Works Excluded from this Edition"; PART III: THE TEXTS; Textual Introductions, Textual Apparatus, and Works Cited for 70 items from The Collected Works; Index to Notes on Modernization; Select Topical Index
Erscheint lt. Verlag | 22.11.2007 |
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Mitarbeit |
General-Herausgeber: Gary Taylor, John Lavagnino |
Zusatzinfo | 105 illustrations, 74 diagrams |
Verlagsort | Oxford |
Sprache | englisch |
Maße | 195 x 255 mm |
Gewicht | 2228 g |
Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
Kunst / Musik / Theater ► Theater / Ballett | |
Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 0-19-818570-7 / 0198185707 |
ISBN-13 | 978-0-19-818570-3 / 9780198185703 |
Zustand | Neuware |
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