Exit Ghost
Seiten
2007
Jonathan Cape Ltd (Verlag)
978-0-224-08173-3 (ISBN)
Jonathan Cape Ltd (Verlag)
978-0-224-08173-3 (ISBN)
- Titel ist leider vergriffen;
keine Neuauflage - Artikel merken
Nathan Zuckerman comes back to New York, the city he left eleven years before. Alone on his New England mountain, Zuckerman has been nothing but a writer: no media, no terrorist threats, no women, no news, no tasks other than his work and the enduring of old age. Walking the streets, he quickly makes three connections that explode his solitude.
Like Rip Van Winkle returning to his hometown to find that all has changed, Nathan Zuckerman comes back to New York, the city he left eleven years before. Alone on his New England mountain, Zuckerman has been nothing but a writer: no voices, no media, no terrorist threats, no women, no news, no tasks other than his work and the enduring of old age. Walking the streets like a revenant, he quickly makes three connections that explode his carefully protected solitude. One is with a young couple with whom, in a rash moment, he offers to swap homes. They will flee post-9/11 Manhattan for his country refuge, and he will return to city life. But from the time he meets them, Zuckerman also wants to swap his solitude for the erotic challenge of the young woman, Jaime, whose allure draws him back to all that he thought he had left behind: intimacy, the vibrant play of heart and body. The second connection is with a figure from Zuckerman's youth, Amy Bellette, companion and muse to Zuckerman's first literary hero, E.I. Lonoff.
The once irresistible Amy is now an old woman depleted by illness, guarding the memory of that grandly austere American writer who showed Nathan the solitary path to a writing vocation. The third connection is with Lonoff's would-be biographer, a young literary hound who will do and say nearly anything to get to Lonoff's "great secret". Suddenly involved, as he never wanted or intended to be involved again, with love, mourning, desire, and animosity, Zuckerman plays out an interior drama of vivid and poignant possibilities. Haunted by Roth's earlier works - the melancholy comedy of "The Ghost Writer", the counterpoint of the imaginary and the real in "The Counterlife", the distinctive dialogues of "Deception" - "Exit Ghost" is a reminder of Roth's incomparable style and themes and an amazing leap into yet another phase in this great writer's insatiable commitment to fiction.
Like Rip Van Winkle returning to his hometown to find that all has changed, Nathan Zuckerman comes back to New York, the city he left eleven years before. Alone on his New England mountain, Zuckerman has been nothing but a writer: no voices, no media, no terrorist threats, no women, no news, no tasks other than his work and the enduring of old age. Walking the streets like a revenant, he quickly makes three connections that explode his carefully protected solitude. One is with a young couple with whom, in a rash moment, he offers to swap homes. They will flee post-9/11 Manhattan for his country refuge, and he will return to city life. But from the time he meets them, Zuckerman also wants to swap his solitude for the erotic challenge of the young woman, Jaime, whose allure draws him back to all that he thought he had left behind: intimacy, the vibrant play of heart and body. The second connection is with a figure from Zuckerman's youth, Amy Bellette, companion and muse to Zuckerman's first literary hero, E.I. Lonoff.
The once irresistible Amy is now an old woman depleted by illness, guarding the memory of that grandly austere American writer who showed Nathan the solitary path to a writing vocation. The third connection is with Lonoff's would-be biographer, a young literary hound who will do and say nearly anything to get to Lonoff's "great secret". Suddenly involved, as he never wanted or intended to be involved again, with love, mourning, desire, and animosity, Zuckerman plays out an interior drama of vivid and poignant possibilities. Haunted by Roth's earlier works - the melancholy comedy of "The Ghost Writer", the counterpoint of the imaginary and the real in "The Counterlife", the distinctive dialogues of "Deception" - "Exit Ghost" is a reminder of Roth's incomparable style and themes and an amazing leap into yet another phase in this great writer's insatiable commitment to fiction.
In 1997 Philip Roth won the Pulitzer Prize for American Pastoral. In 1998 he received the National Medal of Arts at the White House, and in 2002 received the highest award of the American Academy of Arts and Letters, the Gold Medal in Fiction, previously awarded to John Dos Passos, William Faulkner and Saul Bellow, among others. He has twice won the National Book Award, the PEN/Faulkner Award, and the National Book Critics Circle Award. In 2005, Philip Roth became the third living American writer to have his work published in a comprehensive, definitive edition by the Library of America. The last of the eight volumes is scheduled for publication in 2013.
| Erscheint lt. Verlag | 4.10.2007 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 142 x 210 mm |
| Gewicht | 414 g |
| Themenwelt | Literatur ► Romane / Erzählungen |
| Literatur ► Zweisprachige Ausgaben ► Deutsch / Englisch | |
| ISBN-10 | 0-224-08173-X / 022408173X |
| ISBN-13 | 978-0-224-08173-3 / 9780224081733 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Zweisprachige Ausgabe (deutsch/englisch) / Parallel gesetzter Text …
Buch | Softcover (2024)
Anaconda Verlag
CHF 9,75
(dt./engl.)
Buch | Softcover (2024)
Rohstoff (Verlag)
CHF 16,80
