Matsuo Bash?’s Poetic Spaces
Palgrave Macmillan (Verlag)
978-1-4039-7258-3 (ISBN)
ELEANOR KERKHAM is Associate Professor of Japanese Language and Literature at the University of Maryland, USA.
Introduction; E.Kerkham PART I: The Artist As Thinker Bashô: At the Center of Creation; H.Nobuo Zôka: The Creative in Bashô's View of Nature and Art; D.L.Barnhill Reinventing the Landscape: The Zhuangzi and the Geographical Imagination of Bashô; P.Qiu Skeletons on the Path: Bashô Looks Forward; W.LaFleur PART II: The Artist As Poet Double Voices and Bashô's Haikai; H.Shirane Loosening the Links: Considering Intention in Linked Verseand its Consequences; I. Leopold Hanami Exploring Bashô's World of Poetic Expression: Soundscape Verses; H.Minoru And Us Too Enclosed in Mori Atsushi's Ware mo mata, Oku no hosomichi ; Eleanor Kerkham PART III: The Poet As Painter Bashô and the Haiga; J.O'Mara Intersections of Text and Image in Haiga; S.Addiss Buson's Bashô: The Embrace of Influence; E.F.Yasuhara Appendix
Zusatzinfo | 22 Illustrations, black and white; XI, 268 p. 22 illus. |
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Verlagsort | Gordonsville |
Sprache | englisch |
Maße | 140 x 216 mm |
Themenwelt | Literatur ► Lyrik / Dramatik ► Lyrik / Gedichte |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-4039-7258-3 / 1403972583 |
ISBN-13 | 978-1-4039-7258-3 / 9781403972583 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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